Brandon died February 21, 2024, nearly 3 years after this interview. He was a composer of experimental music, and a very good friend of mine. This interview touches on topics like: attention (inside & outside of concert settings), processing trauma through music, mental illness, drug usage, the psychology of repetition, the harmonic properties of multiphonics, spectralism, whole number ratios, being in the same room (both acoustically and socially), zoom meetings, music being the artwork...
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Brandon died February 21, 2024, nearly 3 years after this interview. He was a composer of experimental music, and a very good friend of mine. This interview touches on topics like: attention (inside & outside of concert settings), processing trauma through music, mental illness, drug usage, the psychology of repetition, the harmonic properties of multiphonics, spectralism, whole number ratios, being in the same room (both acoustically and socially), zoom meetings, music being the artwork...
Nathan Corder is an Oakland-based composer of works for electronics, objects, and arrays of people. Our chat covered topics like performer agency & control in composition, fixed media composition vs. composing for people and/or objects, and nontraditional ways of conceiving rhythm and musical time. Pieces featured, in order heard: Untitled (for string trio and electronics) Appetite Push Lockstep
Outside Music Inside the Golden State
Brandon died February 21, 2024, nearly 3 years after this interview. He was a composer of experimental music, and a very good friend of mine. This interview touches on topics like: attention (inside & outside of concert settings), processing trauma through music, mental illness, drug usage, the psychology of repetition, the harmonic properties of multiphonics, spectralism, whole number ratios, being in the same room (both acoustically and socially), zoom meetings, music being the artwork...