Brandon died February 21, 2024, nearly 3 years after this interview. He was a composer of experimental music, and a very good friend of mine. This interview touches on topics like: attention (inside & outside of concert settings), processing trauma through music, mental illness, drug usage, the psychology of repetition, the harmonic properties of multiphonics, spectralism, whole number ratios, being in the same room (both acoustically and socially), zoom meetings, music being the artwork...
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Brandon died February 21, 2024, nearly 3 years after this interview. He was a composer of experimental music, and a very good friend of mine. This interview touches on topics like: attention (inside & outside of concert settings), processing trauma through music, mental illness, drug usage, the psychology of repetition, the harmonic properties of multiphonics, spectralism, whole number ratios, being in the same room (both acoustically and socially), zoom meetings, music being the artwork...
Interview originally recorded March, 2021. Eleven trips to the Mayan region and an investigation of some 35 years into Precolumbian thought have indelibly marked and changed the work of this U.S.-born composer. Haladyna’s Mayan Cycle now stretches to thirty-five highly distinctive pieces, including such titles as Zaquico’xol, El Llanto de Izamal, The Maya Curse Pedro de Alvarado, Pok-ta-Pok, 2012, The Oracle of 13 Sky, Copal, and the Jaguar Poems. Among the most novel features o...
Outside Music Inside the Golden State
Brandon died February 21, 2024, nearly 3 years after this interview. He was a composer of experimental music, and a very good friend of mine. This interview touches on topics like: attention (inside & outside of concert settings), processing trauma through music, mental illness, drug usage, the psychology of repetition, the harmonic properties of multiphonics, spectralism, whole number ratios, being in the same room (both acoustically and socially), zoom meetings, music being the artwork...
