Brandon died February 21, 2024, nearly 3 years after this interview. He was a composer of experimental music, and a very good friend of mine. This interview touches on topics like: attention (inside & outside of concert settings), processing trauma through music, mental illness, drug usage, the psychology of repetition, the harmonic properties of multiphonics, spectralism, whole number ratios, being in the same room (both acoustically and socially), zoom meetings, music being the artwork...
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Brandon died February 21, 2024, nearly 3 years after this interview. He was a composer of experimental music, and a very good friend of mine. This interview touches on topics like: attention (inside & outside of concert settings), processing trauma through music, mental illness, drug usage, the psychology of repetition, the harmonic properties of multiphonics, spectralism, whole number ratios, being in the same room (both acoustically and socially), zoom meetings, music being the artwork...
Peruvian immigrant Anaís Azul (they/them) is a California based singer-songwriter, composer, and teaching artist. Described as “stunningly honest and vulnerable,” their artistry engages with music as a tool for community building, cross-genre collaboration, and collective healing. Azul writes music that is in conversation with looped vocal harmonies, classical melodies, and Latin American singer-songwriter traditions. Their songs are bilingual (Spanish and English) and about mental health, qu...
Outside Music Inside the Golden State
Brandon died February 21, 2024, nearly 3 years after this interview. He was a composer of experimental music, and a very good friend of mine. This interview touches on topics like: attention (inside & outside of concert settings), processing trauma through music, mental illness, drug usage, the psychology of repetition, the harmonic properties of multiphonics, spectralism, whole number ratios, being in the same room (both acoustically and socially), zoom meetings, music being the artwork...
