With the passing of David Lynch we mourn the loss of a true artist and spiritual guide. Anyone familiar with Lynch, the man and his work, knew him to be a study in the paradoxical.  His All-American "boy next door" character and rural common sense, always sat oddly beside the nightmare cinematic worlds he created.  Mel Brooks, who hired him to direct The Elephant Man, called him "Jimmy Stewart from Mars".  For all the debate around auteurism, Lynch was the quintessential auteur. His films, from Eraserhead, through to the brilliant third season of Twin Peaks, are ireplicable, as influential as he has been, there is no equivalent visionary in today's cinematic landscape. Blending elements of surrealism, film noir, german expressionism, horror and soap opera, Lynch's oeuvre stands as a coherent, if highly symbolic, statement on darkness and light, good and evil, memory and fantasy.  In this sense, Lynch was more than just a great film director, his life and work are a model of the "art life", wherein one dedicates themselves fully to the serious pursuit of art as a way to excavate the hidden, often horrific,  realities behind the facades of the seemingly banal everyday.  Join Azed and Tom as they pay tribute to one of the greatest artists of our lifetime.