Send us a text Saru’s dying. The ship is collapsing. Tilly’s being blobnapped by a hallucinated fungus named May. But Steph? Steph is not having it. 😠 This week, the drama is high—but the believability is low—as Our Sci Fi World tackles Star Trek: Discovery Season 2, Episode 4: "An Obol for Charon." 📉 From the jump, Steph calls it: Saru’s not going to die, and the episode knows it. So why does it lay the melodrama on thick? She breaks down how stacking three simultaneous crises—Saru’s “termin...
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Send us a text Saru’s dying. The ship is collapsing. Tilly’s being blobnapped by a hallucinated fungus named May. But Steph? Steph is not having it. 😠 This week, the drama is high—but the believability is low—as Our Sci Fi World tackles Star Trek: Discovery Season 2, Episode 4: "An Obol for Charon." 📉 From the jump, Steph calls it: Saru’s not going to die, and the episode knows it. So why does it lay the melodrama on thick? She breaks down how stacking three simultaneous crises—Saru’s “termin...
123 How TV shows are made (Bonus episode with guest Thanh Huang)
Our Sci Fi World
2 hours 54 minutes
4 months ago
123 How TV shows are made (Bonus episode with guest Thanh Huang)
Send us a text This episode is about the people who keep television from falling apart. Who wrangle cast, crew, trucks, fire, rain, egos, call sheets, and whatever other chaos today decides to serve. It’s about the ones who show up first and leave last. The ones you never see on screen — and couldn’t live without. It’s about Assistant Directors. Steph is joined by her longtime friend and fellow AD, Thanh Hoang, for a longform sidebar on what it actually takes to run a set, hold a crew togethe...
Our Sci Fi World
Send us a text Saru’s dying. The ship is collapsing. Tilly’s being blobnapped by a hallucinated fungus named May. But Steph? Steph is not having it. 😠 This week, the drama is high—but the believability is low—as Our Sci Fi World tackles Star Trek: Discovery Season 2, Episode 4: "An Obol for Charon." 📉 From the jump, Steph calls it: Saru’s not going to die, and the episode knows it. So why does it lay the melodrama on thick? She breaks down how stacking three simultaneous crises—Saru’s “termin...