Send us a text Saru’s dying. The ship is collapsing. Tilly’s being blobnapped by a hallucinated fungus named May. But Steph? Steph is not having it. 😠 This week, the drama is high—but the believability is low—as Our Sci Fi World tackles Star Trek: Discovery Season 2, Episode 4: "An Obol for Charon." 📉 From the jump, Steph calls it: Saru’s not going to die, and the episode knows it. So why does it lay the melodrama on thick? She breaks down how stacking three simultaneous crises—Saru’s “termin...
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Send us a text Saru’s dying. The ship is collapsing. Tilly’s being blobnapped by a hallucinated fungus named May. But Steph? Steph is not having it. 😠 This week, the drama is high—but the believability is low—as Our Sci Fi World tackles Star Trek: Discovery Season 2, Episode 4: "An Obol for Charon." 📉 From the jump, Steph calls it: Saru’s not going to die, and the episode knows it. So why does it lay the melodrama on thick? She breaks down how stacking three simultaneous crises—Saru’s “termin...
115 Sammy in a Cage, Dean in a Rage; when people are the monsters (Supernatural 115: The Benders)
Our Sci Fi World
1 hour 8 minutes
6 months ago
115 Sammy in a Cage, Dean in a Rage; when people are the monsters (Supernatural 115: The Benders)
Send us a text Dean’s worst nightmare: Sam’s been kidnapped—by humans. That’s right, no demons, no ghosts, no cursed objects… just a rural Minnesota family reenacting The Most Dangerous Game, and it’s giving true crime meets Texas Chainsaw fan fiction. In this episode of Our Sci Fi World, Jeff and Steph take on Supernatural 1x15 “The Benders”, where the scariest thing in the woods isn’t a monster—it’s a little girl with murder in her eyes. Steph brings the behind-the-scenes heat: from night s...
Our Sci Fi World
Send us a text Saru’s dying. The ship is collapsing. Tilly’s being blobnapped by a hallucinated fungus named May. But Steph? Steph is not having it. 😠 This week, the drama is high—but the believability is low—as Our Sci Fi World tackles Star Trek: Discovery Season 2, Episode 4: "An Obol for Charon." 📉 From the jump, Steph calls it: Saru’s not going to die, and the episode knows it. So why does it lay the melodrama on thick? She breaks down how stacking three simultaneous crises—Saru’s “termin...
