Send us a text Saru’s dying. The ship is collapsing. Tilly’s being blobnapped by a hallucinated fungus named May. But Steph? Steph is not having it. 😠 This week, the drama is high—but the believability is low—as Our Sci Fi World tackles Star Trek: Discovery Season 2, Episode 4: "An Obol for Charon." 📉 From the jump, Steph calls it: Saru’s not going to die, and the episode knows it. So why does it lay the melodrama on thick? She breaks down how stacking three simultaneous crises—Saru’s “termin...
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Send us a text Saru’s dying. The ship is collapsing. Tilly’s being blobnapped by a hallucinated fungus named May. But Steph? Steph is not having it. 😠 This week, the drama is high—but the believability is low—as Our Sci Fi World tackles Star Trek: Discovery Season 2, Episode 4: "An Obol for Charon." 📉 From the jump, Steph calls it: Saru’s not going to die, and the episode knows it. So why does it lay the melodrama on thick? She breaks down how stacking three simultaneous crises—Saru’s “termin...
111 Fuggly, Fetch, and Faith. The town with only 4 residents (Supernatural 111) Scarecrow
Our Sci Fi World
55 minutes
7 months ago
111 Fuggly, Fetch, and Faith. The town with only 4 residents (Supernatural 111) Scarecrow
Send us a text This week on Our Sci Fi World, Jeff and Steph brave a creepy orchard, confront scarecrow logic, and gush over the long-awaited return of Jeffrey Dean Morgan’s voice (finally!). As Sam and Dean split up, so do our hosts—at least in opinion—on the episode’s infamous ending. Plus: Dean’s emerging pie obsession, the emotional weight of that “do you hear me?” moment, and the introduction of a fan-favorite villain. Also: what is leaking from your brake lights, and why does Steph keep...
Our Sci Fi World
Send us a text Saru’s dying. The ship is collapsing. Tilly’s being blobnapped by a hallucinated fungus named May. But Steph? Steph is not having it. 😠 This week, the drama is high—but the believability is low—as Our Sci Fi World tackles Star Trek: Discovery Season 2, Episode 4: "An Obol for Charon." 📉 From the jump, Steph calls it: Saru’s not going to die, and the episode knows it. So why does it lay the melodrama on thick? She breaks down how stacking three simultaneous crises—Saru’s “termin...
