Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
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Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
For our eighty-fourth episode, we’re joined by Rachel Bellwoar (“The Physical Media Advocate”) for a discussion of the audio commentary for future Marvel director Peyton Reed’s feature directorial debut, 2000’s cheerleader comedy “Bring It On”. Among the things discussed: Reed’s aborted Fantastic Four movie, respecting cheerleaders as athletes, embracing and subverting high school movie cliches, whether or not Jesse Bradford was cool enough to like The Clash, various “Buffy” connections, and so much more.
Ryan’s Recommendations: “Rosemary’s Baby” (1968), “Macbeth” (1971), and “Chinatown” (1974)
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Theme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker.
One Track Mind with Ryan Luis Rodriguez
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
