Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
All content for One Track Mind with Ryan Luis Rodriguez is the property of Ryan Luis Rodriguez and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
For our eighty-third episode, we’re joined once again by my friend and "Reels of Justice" co-host Dylan J. Schlender for a discussion of biographer Walter Chaw’s commentary for Walter Hill’s influential 1979 action classic “The Warriors”. Amongst the things discussed: the ill-advised director’s cut (seriously, we talk about it A LOT), David Patrick Kelly’s improvisation of the iconic Coke bottle scene, references to “I Love the ‘70s”, Hill’s examination of masculinity and identity, parallels to stories of Ancient Greece, and so much more. Can you dig it?!
Ryan’s Recommendations: “Night of the Living Dead” (1968), “Dawn of the Dead” (1978), and “Day of the Dead” (1985)
For exclusive bonus content and early releases of every episode, join our Patreon and become an Official Minder: http://www.patreon.com/onetrackmindpodcast
Theme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker.
One Track Mind with Ryan Luis Rodriguez
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)