Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
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Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
For our eighty-second episode, we’re joined by comedian, actress, and filmmaker Anastasia Washington (“Gaslighter”)for a discussion of the audio commentary for Jordan Peele’s astonishing debut film: 2017’s “Get Out”. Amongst the things discussed: being biracial in modern times, shaving cream as foreshadowing, making the most of a 23 day shoot, the metaphor of the Sunken Place (also known as teacupping?), the sheer volume of references in the opening scene, Allison Williams’ versatility as a genre film actor, that spooky glass of milk, and so much more.
Ryan’s Recommendations: “The Circus” (1928), “City Lights” (1931), and “Monsieur Verdoux” (1947)
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Theme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker.
One Track Mind with Ryan Luis Rodriguez
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
