Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
All content for One Track Mind with Ryan Luis Rodriguez is the property of Ryan Luis Rodriguez and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
Considering I have now officially been podcasting for seven years, I decided to celebrate with a look to you, the listener, and any questions you have from me. Sure, we’ve done Q & A’s in the past, but have they been this long? I don’t think so! Amongst the questions asked: favorite episodes, favorite albums, what books your wonky yet affable host keeps in his trunk, the recent New York Times film poll (I cheated and voted twice!), the Criterion Closet, remakes that are better than the original, why film noir needs idiots, and so much more.
For exclusive bonus content and early releases of every episode, join our Patreon and become an Official Minder: http://www.patreon.com/onetrackmindpodcast
Theme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker.
One Track Mind with Ryan Luis Rodriguez
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
