Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
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Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
For our seventy-fifth episode, the great Tim Mather (VHS Gore Store) returns for an analysis of the audio commentaries for Ti West’s 2009 ‘80s-tastic demonic thriller “The House of the Devil”. Amongst the things discussed? The shifting IMAX ratio for “Mission: Impossible—The Final Reckoning”, co-star Mary Woronov’s impressive roster of film credits, the beauty of high-waisted jeans, eating pizza with “Barbie” director (and star of “Greenberg” apparently) Greta Gerwig, VHS as the embryonic DVR, CandIce Bergen’s rumored romance with A.I., and so much more.
Ryan’s Recommendations: “Se7en” (1995), “Panic Room” (2002), and “The Curious Case of Benjamin Button” (2008)
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Theme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker.
One Track Mind with Ryan Luis Rodriguez
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
