Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
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Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
For our seventy-third episode, it’s a conversation literally years in the making when Em from the hit podcast Verbal Diorama joins us for a discussion of Joss Whedon’s director’s commentary for his 2005 theatrical space western “Serenity”. Amongst the things discussed: safety in space, the delightful resourcefulness of Kaylee Frye, Whedon apologizing for shooting a shirtless Nathan Fillion above the clavicle, some opposing views on “Doublemeat Palace”, unmemorable theme park excursions, and so much more.
Ryan’s Recommendations: “M*A*S*H” (1970), “The Naked Gun: From the Files of Police Squad!” (1988), and “Galaxy Quest” (1999)
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Theme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker.
One Track Mind with Ryan Luis Rodriguez
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
