Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
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Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
For our seventy-first episode, we’re joined by author, critic, and podcast superstar Alonso Duralde (“Hollywood Pride”, “Maximum Film”) for a discussion of the only commentary from renowned Spanish auteur Pedro Almodovar, on his 2002 Oscar-winning film “Talk to Her”. Amongst the things discussed: symbolic lava lamps, an X-rated take on “The Incredible Shrinking Man”, alternate (better?) titles, the Spanish word for ‘bullfighter’, the crucial use of curtains to connect to Almodovar’s previous film, your host’s inability to conjure a proper Spanish accent, and so much more.
Recommendations: “Women on the Verge of a Nervous Breakdown” (1988), “Tie Me Up! Tie Me Down!” (1989), and “All About My Mother” (1999)
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Theme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker.
One Track Mind with Ryan Luis Rodriguez
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
