Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
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Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
For our seventieth episode, girlfriend of the podcast Isabel Teran returns as the newest member of the Three-Timers Club to discuss Tim Burton’s audio commentary for his 36-years-later sequel “Beetlejuice Beetlejuice”. Amongst the things discussed: fearing the Cowboy from “Mulholland Drive”, Winona Ryder’s transformative hairdo in “Edward Scissorhands”, the potential of a stop-motion “Mars Attacks”, how to secure a PG-13 rating with graphic intestines, the voice artist behind Babyjuice, sharing a love of physical media with murderous spirits, and Bob. Everyone loves Bob.
Ryan’s Recommendations: “Ocean’s Twelve” (2004), “Life During Wartime” (2009), and “Mission: Impossible—Ghost Protocol” (2011)
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Theme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker.
One Track Mind with Ryan Luis Rodriguez
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
