Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
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Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
For our sixty-seventh episode, we’re joined by film critic and commentary participant Michelle Kisner (The Movie Sleuth) for a discussion of the audio commentary for the now two-decade-old cult phenomenon “Shaun of the Dead” from writer/director Edgar Wright and writer/star Simon Pegg. Amongst the things discussed: why any future filmmakers using Queen’s “Don’t Stop Me Now” owe Wright royalties, subverting and encouraging zombie movie tropes, male scratching foley work, blood-related continuity errors, the ethics of directors revising their previous works for 4K, and so much more.
Ryan’s Recommendations: “Phase IV” (1974), “Halloween III: Season of the Witch” (1982), and “WNUF Halloween Special” (2013)
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Theme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker.
One Track Mind with Ryan Luis Rodriguez
Audio commentaries are the embryonic form of podcasting, and this show looks at the art of filmmaking through the greatest of these tracks. From comedy to drama, live-action to animation, good and bad, we run the gamut of cinema in a lighthearted, hopefully enlightening fashion. It’s the only commentary-centric show that matters because it’s the only one that exists. (As far as we know.)
