On this episode, Pannill, Brian, and Leticia discuss Patrick McKelvey's new article about seeing-eye-dogs and disability performance, the resurgence of clowns on stage, including Courtney Pauroso's streaming show, Vanessa 5000, and the prospect of AI "actors."
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On this episode, Pannill, Brian, and Leticia discuss Patrick McKelvey's new article about seeing-eye-dogs and disability performance, the resurgence of clowns on stage, including Courtney Pauroso's streaming show, Vanessa 5000, and the prospect of AI "actors."
We welcome special guests Jacob Gallagher-Ross of University of Toronto and Caden Manson of Big Art Group to talk about "interface theatre," an emerging genre of works that examine the way contemporary life is mediated by apps, devices, and data. Shayoni, Miriam, and Pannill then take stock of the political attacks on higher education and freedom of expression in recent months.
Intro music: Sunday Morning, by podington bear, found on Free Music Archive (CC BY-NC)
On TAP: A Theatre and Performance Studies Podcast
On this episode, Pannill, Brian, and Leticia discuss Patrick McKelvey's new article about seeing-eye-dogs and disability performance, the resurgence of clowns on stage, including Courtney Pauroso's streaming show, Vanessa 5000, and the prospect of AI "actors."
