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Object No 1
Alison Moloney
7 episodes
5 days ago
Alison Moloney interviews her fellow fashion curators about the first garment audiences encounter at the start of an exhibition. Through a close reading of this initial object, the curators discuss the theme of the show and how the garment was selected. Like the opening sentence of a book, the first object sets the scene for the narrative to unfold. The series is supported by the Centre for Fashion Curation, UAL, at London College of Fashion where Alison Moloney is an Associate Member. It is produced by Clare Lynch.
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Visual Arts
Arts
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Alison Moloney interviews her fellow fashion curators about the first garment audiences encounter at the start of an exhibition. Through a close reading of this initial object, the curators discuss the theme of the show and how the garment was selected. Like the opening sentence of a book, the first object sets the scene for the narrative to unfold. The series is supported by the Centre for Fashion Curation, UAL, at London College of Fashion where Alison Moloney is an Associate Member. It is produced by Clare Lynch.
Show more...
Visual Arts
Arts
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Black British Style: V&A
Object No 1
32 minutes 18 seconds
1 year ago
Black British Style: V&A

Alison Moloney and Carol Tulloch discuss the opening garment in the show Black British Style which was held at the V&A in 2004. Black British Style opened with a Burton pale blue two-piece suit (1960), owned by Julian Bridgman who came to the UK from Grenada in 1960. Carol is a writer and curator and Professor of Dress, Diaspora, and Transnationalism at the University of the Arts London. She is a member of the Transnational Art, Identity and Nation Research Centre and is the TrAIN/V&A Fellow in the Research Department of the V&A Museum. Black British Style was devised by Carol and curated with Shaun Cole.

Object No 1
Alison Moloney interviews her fellow fashion curators about the first garment audiences encounter at the start of an exhibition. Through a close reading of this initial object, the curators discuss the theme of the show and how the garment was selected. Like the opening sentence of a book, the first object sets the scene for the narrative to unfold. The series is supported by the Centre for Fashion Curation, UAL, at London College of Fashion where Alison Moloney is an Associate Member. It is produced by Clare Lynch.