John Woo's Bullet in the Head didn't do well in Hong Kong theaters and flies under the radar compared to his action films of the same period A Better Tomorrow, The Killer, or Hard Boiled. Yet many consider it his underseen masterpiece. By far his "most personal film," John Woo wrote, directed, produced, edited, and (mostly) financed it himself. But the film's unflinching depiction of Hong Kong riots and war-ravaged Vietnam, navigated by three childhood friends, makes for an emotional watch. J...
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John Woo's Bullet in the Head didn't do well in Hong Kong theaters and flies under the radar compared to his action films of the same period A Better Tomorrow, The Killer, or Hard Boiled. Yet many consider it his underseen masterpiece. By far his "most personal film," John Woo wrote, directed, produced, edited, and (mostly) financed it himself. But the film's unflinching depiction of Hong Kong riots and war-ravaged Vietnam, navigated by three childhood friends, makes for an emotional watch. J...
John Carpenter's Assault on Precinct 13 was made for $100,000, written in eight days, scored by Carpenter in three, and shot in twenty. Yet its status as a classic endures, and its influence still ripples through filmmakers we celebrate today. A siege movie that combines the elements of Rio Bravo and Night of the Living Dead, the film is gripping as a shaky alliance between police and convicts comes together to survive the night against the ghoulish gangsters forcing their way in. Join me...
Not Now in Theaters
John Woo's Bullet in the Head didn't do well in Hong Kong theaters and flies under the radar compared to his action films of the same period A Better Tomorrow, The Killer, or Hard Boiled. Yet many consider it his underseen masterpiece. By far his "most personal film," John Woo wrote, directed, produced, edited, and (mostly) financed it himself. But the film's unflinching depiction of Hong Kong riots and war-ravaged Vietnam, navigated by three childhood friends, makes for an emotional watch. J...