[The script of this episode] Stepping into the next section, you will be greeted by Yin Zi-jie’s Tissue. Using common tissue paper, she has created canopy-like installations. This series of works is scattered throughout the gallery, seamlessly blending with Yannick Dauby’s sound creations, collectively exploring the connection between life, nature, and industry chains through a rich, multi-sensory experience. Walking past the canopy, you’ll see Liao Wei-Li’s* The Tender Span Between Time and Space—A Room of Mother's* on the rear wall. This series of pen sketches documents the artist’s visits to his ninety-six-year-old mother. Dozens of drawings capture his mother’s changes in everyday life and psychological states at different moments and from various angles, weaving a visual record of time’s passage. To the artist, his mother becomes the symbol of home—a sanctuary for body and mind—echoing the exhibition’s subtheme “Calling.” Looking diagonally ahead on the wall, you will find Divooe Zein’s collection of objects gathered over the years from indigenous villages in Taiwan. These include hunting tools, ritual objects, ceremonial artifacts, and musical instruments. Each object not only originates from survival needs but also embodies a shared reverence for heaven and earth. His work, The Cold Shot, invites us to consider whether modern society still recognizes and continues the spiritual significance of such objects or if we only see them as material objects to admire. ---------- The Architecture of Fear and Cure 2025.10.04-2026.01.25 ｜Curator｜ROAN Ching-yueh ｜Artists｜YIN Zi-jie, Boonserm PREMTHADA, WU Tseng-jung, WU Yao-tung, MATSUDA Kazuhisa, HUNG Hao-chun, HSU Ting, FU Chang-feng, Divooe ZEIN, FCHY Architect Lab, LIAO Wei-li, Yannick DAUBY, CHEN Donghua, Kay Ngee Tan Architects, LAI Po-wei, KU Shih-yung ｜More Information｜https://ntcart.museum/EN/exhibition/H2508001