Sahir Ludhianvi againnails the occasion and shows the real face of the society to the society in yetanother harsh still true. Sahir Sahab went through very harsh childhood as hisfather left his mother when Sahir Sahab was too young and his mother took thecharge to look after her child all on her own.

The events of hischildhood are visible in his nazms, ghazals and stories. My favourite is JinheNaaz Hai Hind Par Wo Kahan Hain, ironically this nazm which was in themovie Pyaasa (1957) is still very much relevant in each and every aspect.

ye kūche ye nīlām ghar dilkashī ke

ye luTte hue kārvāñ zindagī ke

kahāñ haiñ kahāñ haiñ muhāfiz ḳhudī ke

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

I love the starting of this nazm.

Credit: https://www.youtube.com/@UltraMovieParlour

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TyoharSeries is the reflection of our culture and the coexistence.

If youhave any poetry, you want me to recite, please mention in the comment box. Ifpossible, for me, I would surely put my emotions into it.

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Playlist Tyohaar:

https://www.youtube.com/playlist?list=PL7OP79L2UzAWzI7NsoeJqqeCwGT8QDxCh

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Nazm: Jinhe Naaz Hai Hind Par

Poet : Sahir Ludhianvi Sahab

Reciter : NauushadMuntazir

-नौशाद मुन्तज़िर/نوشاد منتظر  ®

https://www.youtube.com/c/NauushadMuntazir

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ye kūche ye nīlām ghar dilkashī ke

ye luTte hue kārvāñ zindagī ke

kahāñ haiñ kahāñ haiñ muhāfiz ḳhudī ke

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

ye pur-pech galiyāñ ye be-ḳhvāb bāzār

ye gumnām raahī ye sikkoñ kī jhankār

ye ismat ke saude ye saudoñ pe takrār

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

ta.affun se pur nīm-raushan ye galiyāñ

ye maslī huī adh khilī zard kaliyāñ

ye biktī huī khokhlī rañg-raliyāñ

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

vo ujle darīchoñ meñ pāyal kī chhan chhan

tanaffus kī uljhan pe table kī dhan dhan

ye be-rūh kamroñ meñ khāñsī kī Than Than

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

ye gūñje hue qahqahe rāstoñ par

ye chāroñ taraf bhiiḌ sī khiḌkiyoñ par

ye āvāze khiñchte hue āñchaloñ par

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

ye phūloñ ke gajre ye paīkoñ ke chhīñTe

ye bebāk nazreñ ye gustāḳh fiqre

ye Dhalke badan aur ye madqūq chehre

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

ye bhūkī nigāheñ hasīnoñ kī jānib

ye baḌhte hue haath sīnoñ kī jānib

lapakte hue paañv zīnoñ kī jānib

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

yahāñ piir bhī aa chuke haiñ javāñ bhī

tanau-mand beTe bhī abbā miyāñ bhī

ye biivī bhī hai aur bahan bhī hai maañ bhī

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

madad chāhtī hai ye havvā kī beTī

yashodhā kī ham-jins rādhā kī beTī

payambar kī ummat zuleḳhā kī beTī

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

bulāo ḳhudāyān-e-dīñ ko bulāo

ye kūche ye galiyāñ ye manzar dikhāo

sanā-ḳhvān-e-taqdīs-e-mashriq ko laao

sanā-ḳhvān-e-taqdīs-e-mashriq kahāñ haiñ

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