It was around 1960 when Steve Lacy, a saxophonist in Thelonious Monk’s band at the time, wrote down a series of items, pieces of advice that Monk had conveyed to him while touring in 1960 and 1961. Long before there was an internet, Lacy’s handwritten list went viral. In Episode 67, we covered the first 11 items on the list. In this episode we discuss the meaning or implications of the remaining items.

It was around 1960 when Steve Lacy, a saxophonist in Thelonious Monk’s band at the time, wrote down a series of items, pieces of advice that Thelonious Monk had conveyed to him while touring in 1960 and 1961. Long before there was an internet, Lacy’s handwritten list went viral. And while it provides insights into Monk’s philosophies about performing, many of those pieces of advice can metaphorically apply to life outside of music. In this episode, we tackle the first 11 items on the list; in our next episode, we will address the rest of the list.

David Michael Bashwiner is a composer, a guitarist, a professor at the University of New Mexico, and at the root of it all, a neuroscientist. He speaks nationally on the subject of music and the brain, and in particular on how music is used to establish meaning and emotion, for example, by the movies as the means to having scenes interpreted as they are intended. David talks about how his neuroscientific approach to music guides his understanding of music theory.

Ronnie Frugé learned t play guitar as a 10-year-old on a Sears Silvertone acoustic in a town called Iowa (pronounced I-o-way) outside the city of Lake Charles in Southwest Louisiana where, now in his 70s, he has returned to live and perform. His first influences were Cajun songs; his first band featured him on guitar and a friend on accordion. From South Louisiana his music took him to Austin, Texas, then the Colorado mountains, then to Nashville where he spent 11 years working his way up and through the swarm of guitar players all seeking stardom, and only some like, Ronnie, able even to gig regularly. No matter the town or the venue, wherever he played, the one constant was an enthusiasm and energy that got people on their feet dancing. His story is that of many: a talented guitarist, singer, and songwriter who might not have achieved celebrity but is grateful for a career that has enabled him to make a living playing his music for the people. 

On Easter Sunday, April 20, 2025, surgeons at the Mayo Clinic in Jacksonville, Florida drilled 14 holes in jazz pianist Mark Burnell’s skull and inserted 200 electrodes in an attempt to halt his increasingly frequent seizures resulting from a brain injury that had been festering since a childhood accident. In the newly developed treatment protocol designed to remove damaged areas of the brain, Burnell was kept awake and instructed to play jazz on a mini-keyboard while also singing the tunes’ lyrics. If he played a wrong note or sang a wrong lyric, the doctors were alerted by his wife, vocalist Anne Burnell, who was at his side for the procedure. At her signal they would stop probing so as not to disturb the part of the brain used for making music. In this episode we interview the couple and hear their amazing, inspiring story. Stay tuned for the results of the surgery.

Typically people who want to play music want to play the kind of music they like most. And learning to play involves studying and absorbing how the musicians we admire most play. But maturing as a performer means finding your own voice; that is, beyond imitating, learning to express your music in your own unique way.

Responsibility is one of the life lessons that learning to play music and performing music teach you. Not only do you have to show up, you have to be “on,” that is, playing your best every time you take the stage, no matter how you feel or what your day was like. You owe it to your audience, to other members in the band you’re playing with that night, and to yourself.

Consistent with our recurring theme of how music has a positive impact on our lives, we talk about how music teaches those who learn to play to express themselves better, not just through music but in other ways, including in their careers outside music and their social interactions.

A composer, conductor, and journalist, and the founder, publisher, and principal writer of EarRelevant.net, Mark Gresham has been writing about classical and post-classical music and other arts for more than 35 years. He co-founded the monthly publication Chorus! in 1989 and edited it through 1995. Thirteen of his interviews from the magazine were published in 1997 as the book, Choral Conversations. Before founding EarRelevant, he was a contributing writer for Creative Loafing from 2002 to 2011 and then for ArtsATL until mid-February 2019. In this episode of Music Life & Times, Mark discusses his life-long involvement with music in multiple capacities, how music has shaped his life, and its impact on all of us.

Lisa Campbell Albert sings and teaches others to do the same. For more than 30 years she has been singing and playing keyboard, leading her and her husband’s blues band, Uncle Albert, performing in and around St. Louis as well as nationally and internationally, including regular annual appearances in Germany. She has also channeled her knowledge from her academic studies as well as her professional experience into a career as an educator, currently as a professor at the Webster University Conservatory Theatre. Her book on singing, co-authored with fellow professor Bill Lynch, is titled The Moment Before the Music Begins. In our podcast, she talks about her work coaching all types of singers and, most importantly, that each must find their own voice. It was the turning point of her career, she notes: “I’m going to sound like Lisa” and her audiences would have to “take me as I am.” Now nearing 60 and still “singin’ the blues,” she reflects on the key life lessons being a musician has taught her, that “Every time I take a new step I find a different part of me that lets me exhale,” and that music has allowed her to find herself as “a person who’s authentic and happy.”

Mark Rapp’s resume as a performing artist is impressive enough. He has performed in jazz clubs and festivals around the world from Croatia, Brasil, Austria, Switzerland, and the US, including back-to-back appearances at the 2017 and 2018 New Orleans Jazz and Heritage Festival. His celebrated 2009 debut release “Token Tales” earned him DownBeat magazine’s recognition as a “Top Emerging Trumpeter,” a sold-out Blue Note appearance, and a spot in the famed Newport Jazz Festival. Moreover, he is the founder of the ColaJazz Foundation, an initiative in his adopted home of Columbia, South Carolina, which hosts a premier annual jazz festival as well as ongoing performances by leading jazz figures, and an outreach program that includes three Summer Camps and jazz-based education sessions at schools throughout the state.

This extended episode of Music Life & Times pays tribute to Sam Yi, “the guiding light of jazz in Atlanta,” who ran the Churchill Grounds jazz club in Midtown for two decades. Sam passed away on February 3. “His steadfast promotion of jazz music helped artists maintain a sense of belonging and provided listeners with a spot to hear the latest talent, among shifting venues and interest,” noted the ArtsATL website upon his passing. The podcast features comments from friends and musicians, just a handful of the many whose lives he blessed. Podcast participants include trumpeter and educator Gordon Vernick, saxophonist David Sanchéz, and Sam’s longtime close friend John Hammond. Their memories of a loyal friend and supporter and stellar human being are here to enjoy.

The recent deaths of jazz promoters and club owners Johnny Scatena and Sam Yi were followed by extensive tributes from the musicians whose careers they enabled and lives they changed. Unique to the music profession, and in particular to jazz, is how the most beloved of their time are sent off with performances of the music they played, or in these two cases, the music they so ably and enthusiastically promoted.

The versatile Dave Frackenpohl has played in the widest range of groups, from symphonies to nightclub duos, and formats, from commercial rock bands to big bands to touring Broadway musicals to jazz festivals. His life in jazz took off during his 10 years in Rochester, NY, and his reputation as a premier jazz guitarist has grown steadily over more than 25 years of being based in Atlanta. In the tradition of the finest jazz musicians, Dave is an educator, teaching jazz guitar, jazz history, and arranging, and directing the University’s jazz combos and guitar ensembles.

James Casto is a singer-songwriter who expanded his passion beyond his own music to create and continue an annual series of concerts featuring singer-songwriters. Inspired by his time in Nashville, and in particular by a song performed one night by Vince Gill, Casto began developing the concept that has matured into a five-month program annually of indoor and outdoor, paid and free, sing-songwriter performances. The program is now 19 years old and draws thousands of attendees, many of whom purchase season tickets so as not to miss a single performer or performance.

If you were putting together a jazz combo for the evening—or for the ages—you’d be well served by Justin Varnes on drums. And if you wanted your son or daughter to study with someone who will help them learn to love music as well as play it, again there is Justin Varnes. Based in Atlanta, Justin studied at the University of North Florida and the New School in New York. He has played with a long list of jazz greats, including our host Kevin Bales, and teaches at Georgia State University. In 2015, he created a program called the Jazz Legacy Project that combines education with entertainment. In Episode 53 of Music Life and Times, Justin talks with Kevin and Mike about the Jazz Legacy Project, as well as about learning to play, his approach to helping others do the same, and how learning to play has impacted his life and those of his students.

Kevin Korschgen, drummer, educator, and the producer of Greenville, South Carolina’s Wheel House sessions talks about his seven years of more than 100 concerts in a small space in Greenville’s arts district he originally rented as a drum rehearsal studio and how it became his concert venue. As rare as the venue, so too are the combinations of musicians he brings together, from Greenville, but also from around the Southeast, including our podcast host Kevin Bales, accomplished jazz musicians who most often have never performed together thus encouraging and allowing for the spontaneity which best defines jazz. According to Korschgen, the success of his Wheel House series is due not to planning or organizing, but by “just letting it be what it is,” an intimate connection between players and audience. In this episode of Music Life and Times, he talks about the concerts, about those who commit the time and effort it takes to become accomplished players, and as an educator how he has seen music impact so many lives, including his own.

In anticipation of the 2025 Valentine’s weekend edition of the Emory University Jazz Festival, we talk with Gary Motley, the founding director of Emory’s Jazz Studies program, about his beginnings in music and jazz, some of his associations with other revered jazz musicians, and the upcoming Emory festival where he and his trio will be joined by tenor saxophonist David Sanchez on Friday February 14 for the festival’s feature concert.

One of the lessons you learn from performing music is how audiences reward you for your efforts, that is, the joy you get from their appreciation of your music. That’s one of the greatest returns you get from the work you put in learning to play music well. What could be more fun or more gratifying!

Johnny Catena, the much loved owner of Café 290, Atlanta’s premier music venue for more than 30 years, passed away on November 15, 2024. More than a club owner, Johnny was a lover of music and the musicians who played it. In this extended episode of Music Life and Times, several of Atlanta’s preeminent musicians—Joe Gransden, Kipper Jones, Melvin Miller, William Green, Gary Harris, and Music Life and Times host Kevin Bales—check join us to pay tribute to Johnny, to talk about what he meant to their careers, and to share some of the often hilarious moments that being in Johnny’s presence created.