Loss has a soundtrack. We open with love for our dogs—Betty and Miles—and how music kept us steady when birthdays slipped by and life pressed hard. From there, we head into the crate for our A-to-Z “K” picks: Tony’s first forbidden rock crush (hidden sleeves, face paint, the shock of loud guitars) and Smitty’s act that was his dance-floor permission slip that pulled a shy church kid into the light. Then we pour all that energy into a deep celebration of Miles Davis. We trace real entry routes...
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Loss has a soundtrack. We open with love for our dogs—Betty and Miles—and how music kept us steady when birthdays slipped by and life pressed hard. From there, we head into the crate for our A-to-Z “K” picks: Tony’s first forbidden rock crush (hidden sleeves, face paint, the shock of loud guitars) and Smitty’s act that was his dance-floor permission slip that pulled a shy church kid into the light. Then we pour all that energy into a deep celebration of Miles Davis. We trace real entry routes...
From Jazz Samples to Hip-Hop History: The Story Behind A Tribe Called Quest's Debut. Music Is The Glue, Episode 5
Music Is The Glue Podcast
40 minutes
7 months ago
From Jazz Samples to Hip-Hop History: The Story Behind A Tribe Called Quest's Debut. Music Is The Glue, Episode 5
The greatest hip-hop group of all time? That's a bold claim worth exploring. In this episode, Tony and Smitty dive deep into A Tribe Called Quest's groundbreaking 1990 debut album "People's Instinctive Travels and the Paths of Rhythm," examining how it revolutionized hip-hop with its jazz-infused production and laid-back approach. When Q-Tip, Phife Dawg, Ali Shaheed Muhammad, and Jarobi White burst onto the scene from Queens, New York, the hip-hop landscape was dominated by aggressive sounds...
Music Is The Glue Podcast
Loss has a soundtrack. We open with love for our dogs—Betty and Miles—and how music kept us steady when birthdays slipped by and life pressed hard. From there, we head into the crate for our A-to-Z “K” picks: Tony’s first forbidden rock crush (hidden sleeves, face paint, the shock of loud guitars) and Smitty’s act that was his dance-floor permission slip that pulled a shy church kid into the light. Then we pour all that energy into a deep celebration of Miles Davis. We trace real entry routes...
