The lights drop in Atlanta and Paul McCartney steps into a room full of memory—and invention. We unpack how an icon in his eighties still delivers a two-hour-forty marathon by leaning on tight harmonies, a punchy horn section, and the kind of live tech that lets Being for the Benefit of Mr. Kite explode off a modern stage. The show’s emotional peak arrives when Paul sings I’ve Got a Feeling with John via Get Back footage, a moment that proves technology can connect past and present without ch...
All content for Music In My Shoes is the property of Jim and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
The lights drop in Atlanta and Paul McCartney steps into a room full of memory—and invention. We unpack how an icon in his eighties still delivers a two-hour-forty marathon by leaning on tight harmonies, a punchy horn section, and the kind of live tech that lets Being for the Benefit of Mr. Kite explode off a modern stage. The show’s emotional peak arrives when Paul sings I’ve Got a Feeling with John via Get Back footage, a moment that proves technology can connect past and present without ch...
E99 CBGB Festival, The Minus 5 and The Baseball Project Live, and My Friends
Music In My Shoes
38 minutes
1 month ago
E99 CBGB Festival, The Minus 5 and The Baseball Project Live, and My Friends
We trace a loud, joyful route from under a bridge in Brooklyn to an Atlanta club, catching legends who still hit hard and a tight-knit indie circle that turns baseball into song. Small moments—an unexpected wave, a signed drumhead, a kind word—become the glue of a scene that endures. • CBGB Festival under the K Bridge with Melvins, Lunachicks, Johnny Marr, The Damned, Jack White, and Iggy Pop • the Damned’s stamina and goth-tinged White Rabbit standout • Johnny Marr leading Smiths and Electr...
Music In My Shoes
The lights drop in Atlanta and Paul McCartney steps into a room full of memory—and invention. We unpack how an icon in his eighties still delivers a two-hour-forty marathon by leaning on tight harmonies, a punchy horn section, and the kind of live tech that lets Being for the Benefit of Mr. Kite explode off a modern stage. The show’s emotional peak arrives when Paul sings I’ve Got a Feeling with John via Get Back footage, a moment that proves technology can connect past and present without ch...