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Music In My Shoes
Jim
104 episodes
4 days ago
The lights drop in Atlanta and Paul McCartney steps into a room full of memory—and invention. We unpack how an icon in his eighties still delivers a two-hour-forty marathon by leaning on tight harmonies, a punchy horn section, and the kind of live tech that lets Being for the Benefit of Mr. Kite explode off a modern stage. The show’s emotional peak arrives when Paul sings I’ve Got a Feeling with John via Get Back footage, a moment that proves technology can connect past and present without ch...
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The lights drop in Atlanta and Paul McCartney steps into a room full of memory—and invention. We unpack how an icon in his eighties still delivers a two-hour-forty marathon by leaning on tight harmonies, a punchy horn section, and the kind of live tech that lets Being for the Benefit of Mr. Kite explode off a modern stage. The show’s emotional peak arrives when Paul sings I’ve Got a Feeling with John via Get Back footage, a moment that proves technology can connect past and present without ch...
Show more...
Music History
Music
https://is1-ssl.mzstatic.com/image/thumb/Podcasts221/v4/ac/2a/9a/ac2a9aea-3400-b980-1dd6-4cf2fbf9b72e/mza_17758111216516154454.jpg/600x600bb.jpg
E92 I Want My Two Dollars!, Cheap Trick, Squeeze, Queen and The Cars
Music In My Shoes
41 minutes
2 months ago
E92 I Want My Two Dollars!, Cheap Trick, Squeeze, Queen and The Cars
There's something magical about a determined paperboy chasing John Cusack down, saying "I want my two dollars!" That's the power of an unforgettable movie moment - it sticks with you for decades. In this episode, I dive into why Johnny the Paperboy from 1985's "Better Off Dead" created one of cinema's most quotable running gags despite being just a minor character in the film. But that's just the beginning of our musical journey. I share my recent rockstar encounter with Cheap Trick's legend...
Music In My Shoes
The lights drop in Atlanta and Paul McCartney steps into a room full of memory—and invention. We unpack how an icon in his eighties still delivers a two-hour-forty marathon by leaning on tight harmonies, a punchy horn section, and the kind of live tech that lets Being for the Benefit of Mr. Kite explode off a modern stage. The show’s emotional peak arrives when Paul sings I’ve Got a Feeling with John via Get Back footage, a moment that proves technology can connect past and present without ch...