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Music History Monday
Robert Greenberg
120 episodes
2 months ago
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.
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Music History
Music,
Music Commentary
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All content for Music History Monday is the property of Robert Greenberg and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.
Show more...
Music History
Music,
Music Commentary
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Music History Monday: The First Professional Composer
Music History Monday
22 minutes 32 seconds
1 year ago
Music History Monday: The First Professional Composer
Easy Times!We’ve been having a good time, an easy time here at Music History Monday these last few weeks. Five of our last six MHM posts have featured fairly recent musical events from the “popular” side of the musical aisle.  Music History Monday for June 24 focused on Disco; on July 1, the invention and marketing of Sony’s Walkman; on July 8, the American crooner Steve Lawrence (who was born, as I know you recall, Sidney Liebowitz); on July 22, Taylor Swift; and on July 29, Cass Elliot (born Ellen Naomi Cohen).Today we get back to the historical repertoire.  But let me assure you: the composer we will focus on was as ground-breaking as Sony’s Walkman; his music as gorgeous as the silken voices of Steve Lawrence and Cass Elliot; his rhythmic sensibilities as sharply honed as those of the Bee Gees and Taylor Swift (though, to my knowledge, a concert of his music never simulated a magnitude 2.3 earthquake in downtown Seattle, as did Ms. Swift’s on July 22, 2023).“Portrait of a Young Man” (1432) by Jan van Eyck; possibly Guillaume Du Fay (1397-1474)Ladies and gentlemen, please put your hands together for Guillaume Du Fay!We celebrate the birth on August 5, 1397 – 627 years ago today – of the composer Guillaume Du Fay.  He was, by every standard, one of the greatest composers to have ever lived and was admired as such in his own lifetime.Guillaume Du Fay as The First Professional ComposerWriting in The New Grove Dictionary of Music and Musicians, the Venezuelan -American musicologist, conductor, and composer Alejandro Enrique Planchart observes that:“Before Du Fay’s time, the concept of a “composer” – that is, a musician whose primary occupation is composition [and not a priest, choir master, or teacher] – was largely unfamiliar in Europe. The emergence of musicians who focused on composition above other musical endeavors arose in the 15th century, and was exemplified by Du Fay.”Early LifeHe was born in the Flemish (today Belgian) town of Bersele (today spelled Beersel), just south of Brussels.  He died 77 years later, on November 27, 1474, just across the border in northern France in the city of Cambrai.…Continue reading, see video, and the illustrated, ad-free version of the post, only on Patreon!Become a Patron! Listen and Subscribe to the Music History Monday PodcastThe Robert Greenberg Best Sellers
Music History Monday
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.