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Music History Monday
Robert Greenberg
120 episodes
2 months ago
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.
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Music History
Music,
Music Commentary
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All content for Music History Monday is the property of Robert Greenberg and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.
Show more...
Music History
Music,
Music Commentary
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Music History Monday: Serge Pavlovich Diaghilev
Music History Monday
18 minutes 59 seconds
1 year ago
Music History Monday: Serge Pavlovich Diaghilev
Serge (or Sergei) Diaghilev (1872-1929) in 1916We mark the death on August 19, 1929 – 95 years ago today – of the Russian impresario, patron, art critic, and founder of the Ballets Russes Serge (or “Sergei”) Pavlovich Diaghilev, in Venice.  Born in the village of Selishchi roughly 75 miles southeast of St. Petersburg on March 31, 1872, he was 57 years old when he died.Movers and ShakersSerge Diaghilev was one of the great movers-and-shakers of all time.  In a letter to his stepmother written in 1895, the 23-year-old Diaghilev described himself with astonishing honesty and no small bit of prescience, given the way his life went on the develop:“I am firstly a great charlatan, though con brio [meaning vivacious and spirited!]; secondly, a great charmer; thirdly I have any amount of cheek [meaning chutzpah; moxie; nerve!]; fourthly, I am a man with a great quantity of logic, but with very few principles; fifthly, I think I have no real gifts.  All the same, I think I have found my true vocation – being a patron of the arts.  I have all that is necessary except the money – but that will come.”  Diaghilev at 17, circa 1889Serge Diaghilev’s audacious and spectacular career was intertwined completely with the audacious and spectacular career of one Igor Stravinsky (1882-1971).  Without Diaghilev, Igor Stravinsky would never have become STRAVINSKY: the enfant terrible of Western music in the years before World War One.  Without Diaghilev, Stravinsky would never have seen his career reborn and finances recover after the war.  Conversely, without Stravinsky, Diaghilev might have made his mark but not his legend.  Consequently, I’m going to dedicate this post to not just Monsieur Diaghilev, but to his discovery of and ongoing relationship with Igor Stravinsky!…Continue reading, and listen without interruption, on Patreon!Become a Patron! Listen and Subscribe to the Music History Monday PodcastThe Robert Greenberg Best Sellers
Music History Monday
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.