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Music History Monday
Robert Greenberg
120 episodes
2 months ago
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.
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Music History
Music,
Music Commentary
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All content for Music History Monday is the property of Robert Greenberg and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.
Show more...
Music History
Music,
Music Commentary
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Music History Monday: Cass Elliot and the Making of an Urban Legend
Music History Monday
18 minutes 10 seconds
1 year ago
Music History Monday: Cass Elliot and the Making of an Urban Legend
We mark the death of Cass Elliot on July 29, 1974 – 50 years ago today – in an apartment at No. 9 Curzon Street in London’s Mayfair District.  Born on September 19, 1941, she was just 32 years old at the time of her death.Cass Elliot (born Ellen Naomi Cohen); 1941-1974Brief BiographyCass Elliot was born Ellen Naomi Cohen in Baltimore, Maryland.  According to her biography, “all four of her grandparents were Russian-Jewish immigrants.”The Pale of Settlement(Parenthetically, I grew up hearing that all four of my great-grandparents were, likewise, from “Russia,” which created a misunderstanding that I carried around with me until my twenties.  As it turns out, in this case, “from Russia” actually means from the Pale of Settlement, that part of the western region of the Russian Empire where Jews were allowed to live.  Today, the territory that encompassed the Pale includes all of Belarus and Moldova, much of Ukraine and Lithuania, part of Latvia, and only a small area of what is today the western Russian Federation.)It was while she was in high school that Ellen Cohen was bitten by the musical theater bug and began calling herself “Cass Elliot.” Ms. Elliot’s parents fully expected her to go to college, so we can all imagine their . . . “surprise” when she dropped out of high school just before graduation and moved to New York City, there to pursue her dream to be an actor!Cass Elliot’s acting career never quite got off the ground.  (Yes, she was part of a touring production of The Music Man, but her one-and-only shot at the bigtime came and went when she lost the part of Miss Marmelstein in the Broadway show I Can Get it for You Wholesale to an up-and-comer named Barbra Streisand.)It was as a singer that Cass Elliot made her mark.  She had a clear, strong, distinctive voice and a charismatic stage presence to go along with her 300-pound “figure.”  In 1963 she helped form a progressive folk trio called the Big 3 which recorded two albums and appeared on The Tonight Show, Hootenanny, and The Danny Kaye Show.  In 1964, the Big 3 became a quartet called the Mugwumps.  Finally, in 1965, Cass Elliot and fellow Mugwump member Denny Dougherty joined the husband/wife team of John and Michelle Phillips to become the Mamas and the Papas.…Continue reading, only on Patreon!Become a Patron! Listen and Subscribe to the Music History Monday PodcastThe Robert Greenberg Best Sellers
Music History Monday
Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.