We continue to talk about the movies that bother us. World-building has been strangely silent since The Matrix (1999), a concept originally left for dead, pushed forward into standard by will, belief, and a corps of indelible artists. Geof Darrow and Steve Skroce - two craftspeople first to join the legion - assemble here to add their DNA to our dish. Filmmaking with vision is a winnable war-of-art; to wit, the great irony of a film is can’t know we need one until it’s been made.
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We continue to talk about the movies that bother us. World-building has been strangely silent since The Matrix (1999), a concept originally left for dead, pushed forward into standard by will, belief, and a corps of indelible artists. Geof Darrow and Steve Skroce - two craftspeople first to join the legion - assemble here to add their DNA to our dish. Filmmaking with vision is a winnable war-of-art; to wit, the great irony of a film is can’t know we need one until it’s been made.
Murmur 111 : Geof Darrow and Steve Skroce | "The Matrix @20"
Murmur Digital Radio
5 years ago
Murmur 111 : Geof Darrow and Steve Skroce | "The Matrix @20"
We continue to talk about the movies that bother us. World-building has been strangely silent since The Matrix (1999), a concept originally left for dead, pushed forward into standard by will, belief, and a corps of indelible artists. Geof Darrow and Steve Skroce - two craftspeople first to join the legion - assemble here to add their DNA to our dish. Filmmaking with vision is a winnable war-of-art; to wit, the great irony of a film is can’t know we need one until it’s been made.
Murmur Digital Radio
We continue to talk about the movies that bother us. World-building has been strangely silent since The Matrix (1999), a concept originally left for dead, pushed forward into standard by will, belief, and a corps of indelible artists. Geof Darrow and Steve Skroce - two craftspeople first to join the legion - assemble here to add their DNA to our dish. Filmmaking with vision is a winnable war-of-art; to wit, the great irony of a film is can’t know we need one until it’s been made.
