We continue to talk about the movies that bother us. World-building has been strangely silent since The Matrix (1999), a concept originally left for dead, pushed forward into standard by will, belief, and a corps of indelible artists. Geof Darrow and Steve Skroce - two craftspeople first to join the legion - assemble here to add their DNA to our dish. Filmmaking with vision is a winnable war-of-art; to wit, the great irony of a film is can’t know we need one until it’s been made.
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We continue to talk about the movies that bother us. World-building has been strangely silent since The Matrix (1999), a concept originally left for dead, pushed forward into standard by will, belief, and a corps of indelible artists. Geof Darrow and Steve Skroce - two craftspeople first to join the legion - assemble here to add their DNA to our dish. Filmmaking with vision is a winnable war-of-art; to wit, the great irony of a film is can’t know we need one until it’s been made.
Murmur 108 : Ingrid Michaelson | Now That's Totally Cool, Almost
Murmur Digital Radio
6 years ago
Murmur 108 : Ingrid Michaelson | Now That's Totally Cool, Almost
Like the man sang, "It's never over". More than an 80's-lyric, though, while function is transient, what form's us, eternal. And gift-able. Singer/writer Ingrid Michaelson tiles the walls of both her home and her art with love and legacies that neither date, nor diminish. What transports her is the photo of the photo; the time of the time. Perhaps, in a world where the future is far less sexy, and less inconceivable, than ever, what's past is Epilogue. All those moments not lost in time. Rather held. Imperishable.
Murmur Digital Radio
We continue to talk about the movies that bother us. World-building has been strangely silent since The Matrix (1999), a concept originally left for dead, pushed forward into standard by will, belief, and a corps of indelible artists. Geof Darrow and Steve Skroce - two craftspeople first to join the legion - assemble here to add their DNA to our dish. Filmmaking with vision is a winnable war-of-art; to wit, the great irony of a film is can’t know we need one until it’s been made.
