Performance artist Selina Thompson’s work exemplifies how working on oneself can be harnessed to change the world. Thompson began making autobiographical solo performances about stereotypically feminine concerns before moving on to political topics with a capital ‘P’, e.g., racism and democracy, topics that “men write books about”, as she puts it. The first solo performance work of her still flourishing career was called Chewing the fat (2013) and addressed eating disorders; her next two, bot...
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Performance artist Selina Thompson’s work exemplifies how working on oneself can be harnessed to change the world. Thompson began making autobiographical solo performances about stereotypically feminine concerns before moving on to political topics with a capital ‘P’, e.g., racism and democracy, topics that “men write books about”, as she puts it. The first solo performance work of her still flourishing career was called Chewing the fat (2013) and addressed eating disorders; her next two, bot...
Oriana interviews artist Felicity Allen who explains the neologism disoeuvre which she coined to describe her own artistic practice as distinct from a progressive, linear oeuvre associated with so-called 'real artists'. A disoeuvre stretches to encompass what is traditionally excluded from an artist's body of work, i.e. work carried out in institutions and the home, reflecting the adaptability of the practitioner as she responds to the demands of life. The sought-after 'real' artist's oeuvre ...
Multiple Os
Performance artist Selina Thompson’s work exemplifies how working on oneself can be harnessed to change the world. Thompson began making autobiographical solo performances about stereotypically feminine concerns before moving on to political topics with a capital ‘P’, e.g., racism and democracy, topics that “men write books about”, as she puts it. The first solo performance work of her still flourishing career was called Chewing the fat (2013) and addressed eating disorders; her next two, bot...
