Paul Bromberg discusses with Michael Backman his new book Later Chinese Bronzes for the Scholar’s Studio. The book focuses on later bronze objects from the Song dynasty (960–1279) onwards, both utilitarian and for the scholar’s aesthetic pleasure, produced for the scholar’s studio. The book makes ample uses of examples from his own splendid collection, and considers separately the various forms, hidden meanings and cultural allusions of later bronze paperweights—small, elegant, charming and w...
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Paul Bromberg discusses with Michael Backman his new book Later Chinese Bronzes for the Scholar’s Studio. The book focuses on later bronze objects from the Song dynasty (960–1279) onwards, both utilitarian and for the scholar’s aesthetic pleasure, produced for the scholar’s studio. The book makes ample uses of examples from his own splendid collection, and considers separately the various forms, hidden meanings and cultural allusions of later bronze paperweights—small, elegant, charming and w...
On being an 'independent' art scholar & researcher: Michael Backman, Annemarie Jordan and Hugo Miguel Crespo in Conversation
Michael Backman: Art History & Material Culture
30 minutes
11 months ago
On being an 'independent' art scholar & researcher: Michael Backman, Annemarie Jordan and Hugo Miguel Crespo in Conversation
What is it like to be an 'independent' scholar & researcher? Three published art historians who are tell. Annemarie Jordan and Hugo Miguel Crespo in conversation with Michael Backman on what it is like to being published researchers and art historians but doing it outside the structure of a university, museum or other institutional organisation. Annemarie Jordan is the author of many books on European luxury goods in the Renaissance typically sourced from the 'East', Hugo Miguel C...
Michael Backman: Art History & Material Culture
Paul Bromberg discusses with Michael Backman his new book Later Chinese Bronzes for the Scholar’s Studio. The book focuses on later bronze objects from the Song dynasty (960–1279) onwards, both utilitarian and for the scholar’s aesthetic pleasure, produced for the scholar’s studio. The book makes ample uses of examples from his own splendid collection, and considers separately the various forms, hidden meanings and cultural allusions of later bronze paperweights—small, elegant, charming and w...
