Paul Bromberg discusses with Michael Backman his new book Later Chinese Bronzes for the Scholar’s Studio. The book focuses on later bronze objects from the Song dynasty (960–1279) onwards, both utilitarian and for the scholar’s aesthetic pleasure, produced for the scholar’s studio. The book makes ample uses of examples from his own splendid collection, and considers separately the various forms, hidden meanings and cultural allusions of later bronze paperweights—small, elegant, charming and w...
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Paul Bromberg discusses with Michael Backman his new book Later Chinese Bronzes for the Scholar’s Studio. The book focuses on later bronze objects from the Song dynasty (960–1279) onwards, both utilitarian and for the scholar’s aesthetic pleasure, produced for the scholar’s studio. The book makes ample uses of examples from his own splendid collection, and considers separately the various forms, hidden meanings and cultural allusions of later bronze paperweights—small, elegant, charming and w...
In this Podcast, Michael Backman, writer and gallerist, asks why are we attracted to items that have antiquity? Do such items have a sacredness, or are we attempting to tap into some version of immortality. Is this why we pay more for items with good patina? He looks at the role of collecting and collectors in the preservation of the world's material culture. www.michaelbackmanltd.com
Michael Backman: Art History & Material Culture
Paul Bromberg discusses with Michael Backman his new book Later Chinese Bronzes for the Scholar’s Studio. The book focuses on later bronze objects from the Song dynasty (960–1279) onwards, both utilitarian and for the scholar’s aesthetic pleasure, produced for the scholar’s studio. The book makes ample uses of examples from his own splendid collection, and considers separately the various forms, hidden meanings and cultural allusions of later bronze paperweights—small, elegant, charming and w...
