On today's episode of The Metropolitan Opera Guild Podcast, we have the last of three episodes exploring how the operatic canon is being expanded, featuring Guild lecturer Matthew Timmermans. In this final episode, he will dive into how the Met’s production of foreign works such as Shostakovich’s Lady Macbeth of Mtsensk and Britten’s Peter Grimes have expanded the boundaries of the canon.
This marks our final podcast episode of this season, but we will return on August 9 with a brand new season! Until then, make sure to follow The Metropolitan Opera Guild, Opera News, and The Metropolitan Opera on your favorite social media platforms to keep up to date on all things opera!
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On today's episode of The Metropolitan Opera Guild Podcast, we have the last of three episodes exploring how the operatic canon is being expanded, featuring Guild lecturer Matthew Timmermans. In this final episode, he will dive into how the Met’s production of foreign works such as Shostakovich’s Lady Macbeth of Mtsensk and Britten’s Peter Grimes have expanded the boundaries of the canon.
This marks our final podcast episode of this season, but we will return on August 9 with a brand new season! Until then, make sure to follow The Metropolitan Opera Guild, Opera News, and The Metropolitan Opera on your favorite social media platforms to keep up to date on all things opera!
Returning to the Met after an absence of 25 years, Giordano’s opera Fedora is full of murder, political intrigue and many more melodramatic twists and turns. Perhaps best known for its famous tenor aria, “Amor ti vieta,” the opera is nonetheless a stage vehicle for the prima donna. On today’s episode of the Metropolitan Opera Guild podcast, join the Guild’s Director of Learning and Engagement, Stuart Holt, as he explores the drama and music of Fedora.
Met Opera Guild Podcast
On today's episode of The Metropolitan Opera Guild Podcast, we have the last of three episodes exploring how the operatic canon is being expanded, featuring Guild lecturer Matthew Timmermans. In this final episode, he will dive into how the Met’s production of foreign works such as Shostakovich’s Lady Macbeth of Mtsensk and Britten’s Peter Grimes have expanded the boundaries of the canon.
This marks our final podcast episode of this season, but we will return on August 9 with a brand new season! Until then, make sure to follow The Metropolitan Opera Guild, Opera News, and The Metropolitan Opera on your favorite social media platforms to keep up to date on all things opera!
