Were the Middle Ages funny? To answer that question, Mary Wellesley and Irina Dumitrescu hunt through some of the rudest, silliest and surprising works in English literature in search of the Medieval sense of humour.
Mary Wellesley and Irina Dumitrescu are both writers and historians, and regular contributors to the London Review of Books.
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Were the Middle Ages funny? To answer that question, Mary Wellesley and Irina Dumitrescu hunt through some of the rudest, silliest and surprising works in English literature in search of the Medieval sense of humour.
Mary Wellesley and Irina Dumitrescu are both writers and historians, and regular contributors to the London Review of Books.
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
Hosted on Acast. See acast.com/privacy for more information.
For the final episode of their series in search of the medieval sense of humour Irina and Mary look at one of the most remarkable women authors of the Middle Ages, Gwerful Mechain, who lived in Powys in the 15th century. Mechain was part of a lively literary coterie in northeast Wales and in her poem Cywydd y Cedor (‘Ode to the Vagina’) she challenged the conventional approach of her fellow male poets to praise every part of a woman’s body apart from her genitalia. Her witty, combative verses, intended for public performance, deployed a brilliant mastery of the complex metrical tradition of medieval Welsh poetry to discuss the most intimate physical experiences.
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