Were the Middle Ages funny? To answer that question, Mary Wellesley and Irina Dumitrescu hunt through some of the rudest, silliest and surprising works in English literature in search of the Medieval sense of humour.
Mary Wellesley and Irina Dumitrescu are both writers and historians, and regular contributors to the London Review of Books.
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Were the Middle Ages funny? To answer that question, Mary Wellesley and Irina Dumitrescu hunt through some of the rudest, silliest and surprising works in English literature in search of the Medieval sense of humour.
Mary Wellesley and Irina Dumitrescu are both writers and historians, and regular contributors to the London Review of Books.
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
Hosted on Acast. See acast.com/privacy for more information.
In the preface to the Decameron Boccaccio describes Florentine society laid waste by bubonic plague in the mid-14th century. But before he gets to that he has a confession for the reader: he has been hurt by love, a love ‘more fervent than any other love’, and intends his work as a guide to life and love for young women in particular. In the first of two episodes on Boccaccio’s hundred novelle of sex, dishonesty and foolishness, Mary and Irina consider why both the preface and first story – about the disreputable merchant Cepparello – start with a confession, before looking at the later tale of the gardener Masetto and his noble efforts tending to the needs of every nun in a convent in Lamporecchio.
Non-subscriber will only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series Medieval Beginnings, sign up:
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Get in touch: podcasts@lrb.co.uk
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