Martin Bandyke Under Covers | Ann Arbor District Library
Ann Arbor District Library
99 episodes
2 months ago
Looking for the Magic is a cultural-historical remix, a fresh perspective on how Arista Records reflected its place and time, New York in the 1970s and early 1980s. Through interviews with dozens of artists and executives, music journalist Mitchell Cohen goes inside the business of making and marketing music during this vibrant and diverse period. Under Clive Davis, rock, pop, punk, jazz, R&B, disco, cabaret and Broadway were all represented on Arista. The label sounded like the city it was at the geographical center of.
From its inception as a new entity built on the pop and soul foundation of Bell Records, to groundbreaking artists like Gil Scott-Heron and Patti Smith, to revitalized legends like the Kinks and Aretha Franklin, up to its launching of its biggest star, Whitney Houston, Arista Records’ story has never been told like this. Looking for the Magic covers the wide scope of the label’s roster: its giant pop successes (Barry Manilow), its dedication to cutting-edge jazz (Anthony Braxton) and its embrace of rock royalty (Lou Reed, the Grateful Dead).
Mitchell Cohen has written about music and film for Creem, High Fidelity, Film Comment, the Village Voice, Musician and Phonograph Record. He began working at Arista Records in the late ‘70s as a publicity and advertising copywriter and then as one of the label’s A&R executives.
Martin’s interview with Mitchell Cohen was recorded on June 22nd, 2022.
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Looking for the Magic is a cultural-historical remix, a fresh perspective on how Arista Records reflected its place and time, New York in the 1970s and early 1980s. Through interviews with dozens of artists and executives, music journalist Mitchell Cohen goes inside the business of making and marketing music during this vibrant and diverse period. Under Clive Davis, rock, pop, punk, jazz, R&B, disco, cabaret and Broadway were all represented on Arista. The label sounded like the city it was at the geographical center of.
From its inception as a new entity built on the pop and soul foundation of Bell Records, to groundbreaking artists like Gil Scott-Heron and Patti Smith, to revitalized legends like the Kinks and Aretha Franklin, up to its launching of its biggest star, Whitney Houston, Arista Records’ story has never been told like this. Looking for the Magic covers the wide scope of the label’s roster: its giant pop successes (Barry Manilow), its dedication to cutting-edge jazz (Anthony Braxton) and its embrace of rock royalty (Lou Reed, the Grateful Dead).
Mitchell Cohen has written about music and film for Creem, High Fidelity, Film Comment, the Village Voice, Musician and Phonograph Record. He began working at Arista Records in the late ‘70s as a publicity and advertising copywriter and then as one of the label’s A&R executives.
Martin’s interview with Mitchell Cohen was recorded on June 22nd, 2022.
Martin Bandyke Under Covers for November 2021: Martin interviews Ana Araujo, author of No Compromise: The Work of Florence Knoll.
Martin Bandyke Under Covers | Ann Arbor District Library
25 minutes 34 seconds
4 years ago
Martin Bandyke Under Covers for November 2021: Martin interviews Ana Araujo, author of No Compromise: The Work of Florence Knoll.
Florence Knoll (1917–2019) was a leading force of modern design. She worked from 1945 to 1965 at Knoll Associates, first as business partner with her husband Hans Knoll, later as president after his death, and, finally, as design director. Her commissions became hallmarks of the modern era, including the Barcelona Chair by Mies van der Rohe, the Diamond Chair by Harry Bertoia, and the Platner Collection by Warren Platner. She created classics like the Parallel Bar Collection, still in production today.
Knoll invented the visual language of the modern office through her groundbreaking interiors and the creation of the acclaimed "Knoll look," which remains a standard for interior design today. She reinvigorated the International Style through humanizing textiles, lighting, and accessories. Although Knoll's motto was "no compromise, ever," as a woman in a white, upper-middle-class, male-dominated environment, she often had to make accommodations to gain respect from her colleagues, clients, and collaborators. No Compromise looks at Knoll's extraordinary career in close-up, from her student days to her professional accomplishments.
Martin’s interview with Ana Araujo was recorded on July 22, 2021.
Martin Bandyke Under Covers | Ann Arbor District Library
Looking for the Magic is a cultural-historical remix, a fresh perspective on how Arista Records reflected its place and time, New York in the 1970s and early 1980s. Through interviews with dozens of artists and executives, music journalist Mitchell Cohen goes inside the business of making and marketing music during this vibrant and diverse period. Under Clive Davis, rock, pop, punk, jazz, R&B, disco, cabaret and Broadway were all represented on Arista. The label sounded like the city it was at the geographical center of.
From its inception as a new entity built on the pop and soul foundation of Bell Records, to groundbreaking artists like Gil Scott-Heron and Patti Smith, to revitalized legends like the Kinks and Aretha Franklin, up to its launching of its biggest star, Whitney Houston, Arista Records’ story has never been told like this. Looking for the Magic covers the wide scope of the label’s roster: its giant pop successes (Barry Manilow), its dedication to cutting-edge jazz (Anthony Braxton) and its embrace of rock royalty (Lou Reed, the Grateful Dead).
Mitchell Cohen has written about music and film for Creem, High Fidelity, Film Comment, the Village Voice, Musician and Phonograph Record. He began working at Arista Records in the late ‘70s as a publicity and advertising copywriter and then as one of the label’s A&R executives.
Martin’s interview with Mitchell Cohen was recorded on June 22nd, 2022.
