Great film is alchemy, the result of an interaction between writing, performance, light, sound, sets, and editing. On each episode of Making the Scene, I’m joined by a guest as we work to understand that alchemy through the lens of a single scene, to understand a director’s approach to their film by examining how and why they built this one, specific moment.
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Great film is alchemy, the result of an interaction between writing, performance, light, sound, sets, and editing. On each episode of Making the Scene, I’m joined by a guest as we work to understand that alchemy through the lens of a single scene, to understand a director’s approach to their film by examining how and why they built this one, specific moment.
Making the Scene is back with returning guest, podcaster, and co-editor of The Deli Counter of Justice, Arlo Wiley. This time, he brings an emotionally catastrophic argument from Billy Woodberry's 1984 Bless Their Little Hearts. A critical entry in the movement known as the L.A. Rebellion, Bless Their Little Hearts is a story of family and unemployment, set in the Watts neighborhood of Los Angeles. This scene is a oner, a single take that runs for 10 minutes -- nearly a full reel of film. And yet, as Arlo and I discuss, its simplicity and straightforward camerawork gives a view into a style of oner that is too often ignored in favor of flashy Steadicam movements. We discuss the L.A. Rebellion itself, and this scene's context in that movement's communally collaborative approach.
Making the Scene
Great film is alchemy, the result of an interaction between writing, performance, light, sound, sets, and editing. On each episode of Making the Scene, I’m joined by a guest as we work to understand that alchemy through the lens of a single scene, to understand a director’s approach to their film by examining how and why they built this one, specific moment.
