“Scheiden und Meiden” (Partings) explores the metric juxtaposition of two versus three used in “Ablösung im Sommer.” “Trumpetlike” is the first expression in the music as F major arpeggios rise from the tuba and piano. Despite the repeated ascending passages, the first dynamic is piano so the tubist should strive to be precise to start with soft dynamics.In this song, the pianist must take care to follow dynamics, which do not always coincide with those of the tubist. The rhythmic motor of th...