What makes a sub-genre? Should an artist stick to what they're known for? Is it a burden to invent a genre?

I just got back from a Cro-Mags show, had a great time, and have a lotta takeaways about dance, movement, and how limiting (yet valuable) labeling music can be.

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Pick up my ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠new LP "I" on vinyl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in its full spinning colorfulness⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ while they last 🎨

Mechanisms at play. This ephemeral intangible thing. Drifting in between dream and reality. Cuts both ways. The collection of musical thought into physical mediums. The ways that they interact. Wrapped up in the other. Different ways of classifying. It evokes something else. It’s own sort of inspiration. A powerful force in both directions, Dance with it. The map. The levers that are like really cool. Coextensive. A species of classifiers. Unabashedly of the body. This branch. That analytical processing of organizing and sorting. All of this different stuff. A subtle sway or a rhythmic blinking. 🗄️

*To get hip to the historian Herodotus hit this.

Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠