In response to the death of the Ozzy Osborne this week, we've unlocked this patrons episode from last year about heavy metal, Black Sabbath and the Prince of Darkness himself. If you like this you can hear a lot more like it by becoming a patron at Patreon.com/LoveMessagePod.
In this episode Jeremy raises a devil’s horn salute to the gods and demons of heavy metal. He explores the etymology of the genre term, excavating its shared roots with acid rock, and explaining how heavy metal compliments our story here on LITM. With reference to Easy Rider and the misconceived ‘end of the ‘60s’, we hear about how biker culture, the legacy of the blues and changing regimes of accumulation contributed to the anguished intensity expressed in the music of Led Zeppelin, King Crimson and Iron Butterfly.
Jeremy also explores noise, feedback and distortion as the new aesthetic tools of metal, questions why people in the late 60s would want to explore occult and black magic ideas, and finishes with a deep dive on Black Sabbath, asking: was heavy metal an expression of the blues for white guys who’s dad’s worked in the car factories of Birmingham?
Books and Films:
Easy Rider
Robert Walser - Running with the Devil: Power, Gender and Madness in Heavy Metal Music
Tracklist:
Steppenwolf - Born to be Wild
Blue Cheer - Summertime Blues
The Who - My Generation (Live 1968)
Led Zeppelin - Dazed and Confused
Led Zeppelin - Whole Lotta Love
King Crimson - 21st Century Schizoid Man
Iron Butterfly - Easy Rider (Let the Wind Pay the Way)
Black Sabbath - Black Sabbath
Black Sabbath - Paranoid
Black Sabbath - War Pigs