The Adam Glass and John Patrick Owatari-Dorgan, attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection and talk about them. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
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The Adam Glass and John Patrick Owatari-Dorgan, attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection and talk about them. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
We absolutely fell in love with the films of Satyajit Ray when we first watched The Music Room a few years ago, and we are so happy that Criterion is finally showing us more of his work. The Big City (1963) is an Ozu-like take of the effect progress has on the "traditional" family, an ode to female emancipation, and a condemnation of social, racial, and gender-based discrimination in Ray's homeland. And it's also a gorgeous movie. Ray is a filmmaker who knows that film is its own language, a language of the eye, of light, of frame, and The Big City has some of the most beautiful scenes we've ever seen.
Lost in Criterion
The Adam Glass and John Patrick Owatari-Dorgan, attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection and talk about them. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion