Lorde BioSnap a weekly updated Biography.
Lorde has had a whirlwind of significant developments and headlines the past few days as she cements her position at the center of pop’s evolving conversation. Most notably, she was absent from the 2025 MTV Video Music Awards last Sunday in Elmont, New York, despite being nominated in three categories, including Best Pop Artist and Song of the Year for What Was That. Elle reports she lost all her categories and chose to keep a strikingly low profile that night, fueling speculation on social media about her priorities and hinting at a new era of selectiveness in her public appearances. Her new album Virgin, released this summer after a prolonged hiatus, is generating sustained buzz. Lorde told Radio 1 and Elle that her work with Charli XCX on the track Girl So Confusing reignited her artistic fire, inspiring a stripped-down sound aimed at the core of who she is, a clear contrast to the warmth of her previous Solar Power era.
The big story this week, however, revolves around Lorde’s candid revelations about her gender identity journey in a cover story for DAZED magazine, picked up by People, Star94.1, AOL, and others. She spoke tenderly about coming to terms with her identity while writing Man of the Year, describing how chest taping during songwriting triggered a striking feeling of authenticity. Lorde clarified that her pronouns remain the same for now, but she acknowledged the fluid and ongoing nature of her journey, noting how some days she simply cannot wear women’s clothes and needs makeup styled in what she calls a male grooming approach. She corrected previous remarks about Chappell Roan asking her about being nonbinary, emphasizing her uncertainty and that the process is still unfolding. This nuanced discussion has been a lively topic across music journalism and fan threads, with many applauding her openness.
On the business side, the announcement and fast sellout of her Ultrasound world tour, which supports Virgin, has made headlines in publications like Business Insider and SeatGeek. The tour begins September 17 in Austin, Texas, then sweeps through North America, the UK, and Europe, with support acts including Blood Orange, The Japanese House, Nilüfer Yanya, Chanel Beads, and others. Most US dates are already sold out except through resale, showing the real heat behind her return. Lorde’s introspective comments continue to ripple, such as her assertion on NZCity that pop music works best when it’s about the collective, a mission she hopes to take on the road as she describes this tour as a true collaboration with her audience.
Fans, and gossip sites alike, have zeroed in on the biographical consequences of this moment for Lorde: shifting public engagement, artistic reinvention, and brave personal truth-telling, with many awaiting her live performances for any signs of how these changes will play out on stage. For now, the pop world is watching, and Lorde is charting a path uniquely her own.
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