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Longtime Companion
Daniel Theophanous
25 episodes
2 months ago
For this episode along with my guest will be dissecting Derek Jarman’s historical, religious, but ultimately queer debut Sebastiane. Released in 1976, is set in a sun drenched rocky coast line of the Mediterranean island of Sardinian. With a dialogue entirely in Latin, Sebastiane tells the story of the martyrdom of Saint Sebastian. The film is not a biopic by any means but more of a queer BDSM interpretation of this biblical story. The film, was seen as one of the first unlicensed ‘underground’ queer films, which was allowed into the public spaces of commercial cinema and television and one that featured positive images of gay sexuality, in comparison to previously released queer films. But also, interestingly it was also the first ever film passed by the British Board of Film Censors that depicted an erect penis. To talk to me about the film, I invited along film critic and writer Robert Stinner. It’s a conversation I very much enjoyed where we able to discuss in depth the films audacious homoeroticism, its timelessness and its influence on future queer filmmaking. Thank you for listening! Music: James Jones @james-jones-music Follow us on I: @ltcompanion / F: @LongtimeCompanion
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TV & Film
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For this episode along with my guest will be dissecting Derek Jarman’s historical, religious, but ultimately queer debut Sebastiane. Released in 1976, is set in a sun drenched rocky coast line of the Mediterranean island of Sardinian. With a dialogue entirely in Latin, Sebastiane tells the story of the martyrdom of Saint Sebastian. The film is not a biopic by any means but more of a queer BDSM interpretation of this biblical story. The film, was seen as one of the first unlicensed ‘underground’ queer films, which was allowed into the public spaces of commercial cinema and television and one that featured positive images of gay sexuality, in comparison to previously released queer films. But also, interestingly it was also the first ever film passed by the British Board of Film Censors that depicted an erect penis. To talk to me about the film, I invited along film critic and writer Robert Stinner. It’s a conversation I very much enjoyed where we able to discuss in depth the films audacious homoeroticism, its timelessness and its influence on future queer filmmaking. Thank you for listening! Music: James Jones @james-jones-music Follow us on I: @ltcompanion / F: @LongtimeCompanion
Show more...
TV & Film
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EPISODE 8: IT IS NOT THE HOMOSEXUAL WHO IS PERVERSE.... - Interview With Calin Boto
Longtime Companion
29 minutes 23 seconds
3 years ago
EPISODE 8: IT IS NOT THE HOMOSEXUAL WHO IS PERVERSE.... - Interview With Calin Boto
It is now over 50 years since the release of German director Rosa Von Praunheim's ground-breaking gay classic ‘It Is Not the Homosexual who is Perverse but the Society he Lives in’. Part sociological essay/ part gay manifesto, the film is said to have pronounced the rebirth of the Berlin gay scene in the 1970s from its heyday under the Weimar Republic of the 20s. For this episode we talk with film critic Călin Boto about the film and its brilliant director. LINKS - https://tinyurl.com/y4u8f3z5 Music: Avant Garde by @tinymusic_aka_florianseraul Follow us on Twitter @LTCompanion/ Instagram @ltcompanion
Longtime Companion
For this episode along with my guest will be dissecting Derek Jarman’s historical, religious, but ultimately queer debut Sebastiane. Released in 1976, is set in a sun drenched rocky coast line of the Mediterranean island of Sardinian. With a dialogue entirely in Latin, Sebastiane tells the story of the martyrdom of Saint Sebastian. The film is not a biopic by any means but more of a queer BDSM interpretation of this biblical story. The film, was seen as one of the first unlicensed ‘underground’ queer films, which was allowed into the public spaces of commercial cinema and television and one that featured positive images of gay sexuality, in comparison to previously released queer films. But also, interestingly it was also the first ever film passed by the British Board of Film Censors that depicted an erect penis. To talk to me about the film, I invited along film critic and writer Robert Stinner. It’s a conversation I very much enjoyed where we able to discuss in depth the films audacious homoeroticism, its timelessness and its influence on future queer filmmaking. Thank you for listening! Music: James Jones @james-jones-music Follow us on I: @ltcompanion / F: @LongtimeCompanion