For this episode along with my guest will be dissecting Derek Jarman’s historical, religious, but ultimately queer debut Sebastiane.
Released in 1976, is set in a sun drenched rocky coast line of the Mediterranean island of Sardinian. With a dialogue entirely in Latin, Sebastiane tells the story of the martyrdom of Saint Sebastian.
The film is not a biopic by any means but more of a queer BDSM interpretation of this biblical story. The film, was seen as one of the first unlicensed ‘underground’ queer films, which was allowed into the public spaces of commercial cinema and television and one that featured positive images of gay sexuality, in comparison to previously released queer films. But also, interestingly it was also the first ever film passed by the British Board of Film Censors that depicted an erect penis.
To talk to me about the film, I invited along film critic and writer Robert Stinner. It’s a conversation I very much enjoyed where we able to discuss in depth the films audacious homoeroticism, its timelessness and its influence on future queer filmmaking.
Thank you for listening!
Music: James Jones @james-jones-music
Follow us on I: @ltcompanion / F: @LongtimeCompanion
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For this episode along with my guest will be dissecting Derek Jarman’s historical, religious, but ultimately queer debut Sebastiane.
Released in 1976, is set in a sun drenched rocky coast line of the Mediterranean island of Sardinian. With a dialogue entirely in Latin, Sebastiane tells the story of the martyrdom of Saint Sebastian.
The film is not a biopic by any means but more of a queer BDSM interpretation of this biblical story. The film, was seen as one of the first unlicensed ‘underground’ queer films, which was allowed into the public spaces of commercial cinema and television and one that featured positive images of gay sexuality, in comparison to previously released queer films. But also, interestingly it was also the first ever film passed by the British Board of Film Censors that depicted an erect penis.
To talk to me about the film, I invited along film critic and writer Robert Stinner. It’s a conversation I very much enjoyed where we able to discuss in depth the films audacious homoeroticism, its timelessness and its influence on future queer filmmaking.
Thank you for listening!
Music: James Jones @james-jones-music
Follow us on I: @ltcompanion / F: @LongtimeCompanion
EPISODE 15: Happy Together - Interview With Film Programmer & Critic Alex Davidson
Longtime Companion
33 minutes 39 seconds
3 years ago
EPISODE 15: Happy Together - Interview With Film Programmer & Critic Alex Davidson
In this episode we talk about what Hong Kong film Happy Together by director Wong Kar-wai. Released in 1997, Happy Together is hailed as a seminal gay classic. A tale of a tumultuous coupling between gay couple Ho Po-Wing and Lai Yiu-Fai whose relationship appears to be continually in the throes of crisis, seemingly before but mostly after they migrate from Hong Kong to Buenos Aires in a bid to visit the Iguazu Falls.
Its a latter entry in the 90s New Queer Cinema, and one of Kar-wai’s most lauded films. Perhaps for its unabashed portrayal of these queer lives, unvarnished and true to life, as well as a multitude of moments of stunning beauty that one is accustomed to with the director’s films.
For this episode I had the pleasure to have once again have with film programmer and critic Alex Davidson, whose knowledge and insight on the film and Wong Kar-wai’s body of work is truly impressive.
I hope you enjoy listening….
LINKS: https://tinyurl.com/happytogetherfilm
Music: Avant Garde by @tinymusic_aka_florianseraul
Follow us on T: @LTCompanion/ I: @ltcompanion / F: @LongtimeCompanion
Longtime Companion
For this episode along with my guest will be dissecting Derek Jarman’s historical, religious, but ultimately queer debut Sebastiane.
Released in 1976, is set in a sun drenched rocky coast line of the Mediterranean island of Sardinian. With a dialogue entirely in Latin, Sebastiane tells the story of the martyrdom of Saint Sebastian.
The film is not a biopic by any means but more of a queer BDSM interpretation of this biblical story. The film, was seen as one of the first unlicensed ‘underground’ queer films, which was allowed into the public spaces of commercial cinema and television and one that featured positive images of gay sexuality, in comparison to previously released queer films. But also, interestingly it was also the first ever film passed by the British Board of Film Censors that depicted an erect penis.
To talk to me about the film, I invited along film critic and writer Robert Stinner. It’s a conversation I very much enjoyed where we able to discuss in depth the films audacious homoeroticism, its timelessness and its influence on future queer filmmaking.
Thank you for listening!
Music: James Jones @james-jones-music
Follow us on I: @ltcompanion / F: @LongtimeCompanion