For this episode along with my guest will be dissecting Derek Jarman’s historical, religious, but ultimately queer debut Sebastiane.
Released in 1976, is set in a sun drenched rocky coast line of the Mediterranean island of Sardinian. With a dialogue entirely in Latin, Sebastiane tells the story of the martyrdom of Saint Sebastian.
The film is not a biopic by any means but more of a queer BDSM interpretation of this biblical story. The film, was seen as one of the first unlicensed ‘underground’ queer films, which was allowed into the public spaces of commercial cinema and television and one that featured positive images of gay sexuality, in comparison to previously released queer films. But also, interestingly it was also the first ever film passed by the British Board of Film Censors that depicted an erect penis.
To talk to me about the film, I invited along film critic and writer Robert Stinner. It’s a conversation I very much enjoyed where we able to discuss in depth the films audacious homoeroticism, its timelessness and its influence on future queer filmmaking.
Thank you for listening!
Music: James Jones @james-jones-music
Follow us on I: @ltcompanion / F: @LongtimeCompanion
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For this episode along with my guest will be dissecting Derek Jarman’s historical, religious, but ultimately queer debut Sebastiane.
Released in 1976, is set in a sun drenched rocky coast line of the Mediterranean island of Sardinian. With a dialogue entirely in Latin, Sebastiane tells the story of the martyrdom of Saint Sebastian.
The film is not a biopic by any means but more of a queer BDSM interpretation of this biblical story. The film, was seen as one of the first unlicensed ‘underground’ queer films, which was allowed into the public spaces of commercial cinema and television and one that featured positive images of gay sexuality, in comparison to previously released queer films. But also, interestingly it was also the first ever film passed by the British Board of Film Censors that depicted an erect penis.
To talk to me about the film, I invited along film critic and writer Robert Stinner. It’s a conversation I very much enjoyed where we able to discuss in depth the films audacious homoeroticism, its timelessness and its influence on future queer filmmaking.
Thank you for listening!
Music: James Jones @james-jones-music
Follow us on I: @ltcompanion / F: @LongtimeCompanion
EPISODE 14: ORLANDO - Interview With Film Critic James Luxford
Longtime Companion
23 minutes 23 seconds
3 years ago
EPISODE 14: ORLANDO - Interview With Film Critic James Luxford
30 years to the date since the release of director Sally Potter’s film Orlando, a film that it is seen retrospectively as genderqueer. A period fantasy drama loosely based on Virginia Woolf's 1928 novel Orlando: A Biography. The androgynous Orlando is played by Tilda Swinton, traversing through time ageless and immortal.
Orlando’s transition from man to woman has been heralded by some as a trans story. On this episode we speak with film critic James Luxford about the genderqueer/ trans themes Orlando put's forward.
LINKS: https://tinyurl.com/orlandofilm
Music: Avant Garde by @tinymusic_aka_florianseraul
Follow us on T: @LTCompanion/ I: @ltcompanion / F: @LongtimeCompanion
Longtime Companion
For this episode along with my guest will be dissecting Derek Jarman’s historical, religious, but ultimately queer debut Sebastiane.
Released in 1976, is set in a sun drenched rocky coast line of the Mediterranean island of Sardinian. With a dialogue entirely in Latin, Sebastiane tells the story of the martyrdom of Saint Sebastian.
The film is not a biopic by any means but more of a queer BDSM interpretation of this biblical story. The film, was seen as one of the first unlicensed ‘underground’ queer films, which was allowed into the public spaces of commercial cinema and television and one that featured positive images of gay sexuality, in comparison to previously released queer films. But also, interestingly it was also the first ever film passed by the British Board of Film Censors that depicted an erect penis.
To talk to me about the film, I invited along film critic and writer Robert Stinner. It’s a conversation I very much enjoyed where we able to discuss in depth the films audacious homoeroticism, its timelessness and its influence on future queer filmmaking.
Thank you for listening!
Music: James Jones @james-jones-music
Follow us on I: @ltcompanion / F: @LongtimeCompanion
