This episode provides an extensive overview of the Theatre of the Absurd, a dramatic movement from the mid-20th century rooted in Existentialist philosophy, which explores the meaninglessness of human existence and the subsequent breakdown of communication. Several articles analyse specific plays by prominent figures, such as Samuel Beckett and Eugène Ionesco, demonstrating how they employ unconventional techniques to convey profound themes. The analysis of Beckett’s Endgame focuses on the superiority of symbolic objects over language in conveying themes of futility and isolation. At the same time, the critique of Ionesco’s Rhinoceros examines its allegorical use of metamorphosis to challenge conformity and totalitarianism. Collectively, the texts define the movement's core characteristics, such as cyclical plots, nonsensical dialogue, the use of archetypal characters, and the goal of provoking "the laughter of liberation" in the face of despair.