Let Me Ascertain You, from award-winning investigative theater company The Civilians, is a weekly podcast series of performances crafted from interviews with real people about current and controversial topics, including Occupy Wall Street, Atlantic Yards, the adult entertainment industry, Evangelical Christianity, and more. Each episode illuminates surprising, unusual, funny, and thought-provoking stories collected from interviews with a wide range of different people. The series, taken from live performances, includes songs and scenes from past plays and current projects, plus sneak peaks at works in development. The Civilians is the center for investigative theater, supporting new work created from inquiries into the most vital questions of the present. The company, now in its eleventh season, has performed Off-Broadway and in over 40 cities nationally and internationally. "The Civilians deserve credit as top-notch journalists, creating portraits that are vivid, agenda-free and marked by a benevolent irony." –The New Yorker
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Let Me Ascertain You, from award-winning investigative theater company The Civilians, is a weekly podcast series of performances crafted from interviews with real people about current and controversial topics, including Occupy Wall Street, Atlantic Yards, the adult entertainment industry, Evangelical Christianity, and more. Each episode illuminates surprising, unusual, funny, and thought-provoking stories collected from interviews with a wide range of different people. The series, taken from live performances, includes songs and scenes from past plays and current projects, plus sneak peaks at works in development. The Civilians is the center for investigative theater, supporting new work created from inquiries into the most vital questions of the present. The company, now in its eleventh season, has performed Off-Broadway and in over 40 cities nationally and internationally. "The Civilians deserve credit as top-notch journalists, creating portraits that are vivid, agenda-free and marked by a benevolent irony." –The New Yorker
We are in the thick of exploring our competing sex and death drives, and that interesting space where the two overlap and even coalesce. In this episode, we are searching for the "white light," that surreal experience that can really open happen in sex or death, when we glimpse the soul. First up is actor Parker Drown performing Trevor, an NYC “rent boy,” followed by Jeanine Serralles performing Kelli Dunham, a writer/performer with the tag line “Everyone’s Favorite Ex-Nun, Genderqueer, Nerd Comic.” Learn more about Kelli’s fascinating story at kellidunham.com. To close out this podcast, we welcome back Grace McLean, whose layered vocals you may remember from our Sex Variants series. Grace’s original song, “Where is the White Light,” was inspired by an interview we did with Veronica, an energy healer. For more, please visit http://www.thecivilians.org. To leave a comment, please visit The Civilians' blog http://blogforthecivilians.blogspot.com/!
Let Me Ascertain You: The Civilians Podcast
Let Me Ascertain You, from award-winning investigative theater company The Civilians, is a weekly podcast series of performances crafted from interviews with real people about current and controversial topics, including Occupy Wall Street, Atlantic Yards, the adult entertainment industry, Evangelical Christianity, and more. Each episode illuminates surprising, unusual, funny, and thought-provoking stories collected from interviews with a wide range of different people. The series, taken from live performances, includes songs and scenes from past plays and current projects, plus sneak peaks at works in development. The Civilians is the center for investigative theater, supporting new work created from inquiries into the most vital questions of the present. The company, now in its eleventh season, has performed Off-Broadway and in over 40 cities nationally and internationally. "The Civilians deserve credit as top-notch journalists, creating portraits that are vivid, agenda-free and marked by a benevolent irony." –The New Yorker
