In this conversation, Aisling Casey shares her journey as a professional oboist, discussing her early beginnings in Ireland, her studies in Germany, and her experiences in the Netherlands' vibrant music scene. She emphasizes the importance of community in music, as demonstrated through her work with the Netherlands Radio Philharmonic Orchestra, the Splendor Concert Hall and the Ludwig Orchestra. Aisling also highlights the significance of body mapping for musicians and the initiatives she has taken to encourage young oboists through the Oboe Platform. Throughout the discussion, she inspires listeners to follow their passions and remain curious in their musical journeys.
Find out more about Aisling here:
In this episode of Legends of Reed, host Jo Anne Sukumaran delves into the crucial topic of musicians' health and injury prevention. Featuring insights from Dr. Matthew Winter, a Doctor of Physical Therapy, and Dr. June Tan Sheren, a family medicine physician specializing in performing arts medicine, the discussion explores the physical and mental challenges musicians face. The experts share advice on injury prevention, the importance of early medical consultation, and holistic approaches to maintaining longevity and well-being in musical careers. Practical tips, personal anecdotes, and enlightening takes on comparing musicians to athletes make this a must-listen for any performing artist.
Dr June Tan Sheren
MBBS (Singapore), MMed Family Medicine (Singapore), MSc Performing Arts Medicine (UK)
Consultant Family Physician
Tucker Medical
https://tuckermedical.com/teams/dr-june-tan-sheren/
Dr June Sheren is a primary care physician with a specialization in Performing Arts Medicine (PAM). She holds a Masters in PAM from University College London (UCL) and is known for her expertise in caring for performing artists. She serves as Medical Advisor to the Singapore Symphony Orchestra and physician to students of the Yong Siew Toh Conservatory of Music, National University of Singapore. She guest lectures at UCL and actively contributes to the field through talks and written content for leading PAM organizations and arts institutions. In her spare time, she plays the piano and cello.
Find out more about Dr. Sheren here:
https://www.linkedin.com/in/june-tan-sheren
https://www.instagram.com/junetansheren/
Dr. Matthew Winter
DPT (USA), Bsc (Hons) Physiotherapy (UK), CFMP, MAHPC
Doctor of Physical Therapy
Director, Integrative Physio Pte Ltd
Medical Trainer (World Rugby/RFU)
Dr Matthew Winter completed his undergraduate degree at Nottingham University before completing his clinical doctorate from the USA. He has spent the past 15 years working in Singapore spanning acute hospital care, prehospital immediate care in sport and outpatient musculoskeletal care managing patients with pain and injuries back to health. Aside from his clinic work he has managed immediate care teams in international sports competitions. He has been the Singapore Rugby physiotherapist and has sat on medical committees steering athletes' welfare. He is an enthusiastic educator on the topics of immediate care and has presented in medical forums on topics ranging from pain management to shoulder instability and of course managing pain in musicians! Matthew also has his own podcast “The Best of Both Worlds Health and Performance Podcast”.
Find out more about his practice at https://www.iphysio.sg
https://www.instagram.com/integrativephysio/
https://www.instagram.com/thebobwpodcast/
Hosted by Jo Anne Sukumaran
Find out more: https://www.joannesukumaran.com
IG: https://www.instagram.com/jewelair2.0/
00:00 Introduction to Musicians' Health
01:14 Welcome to Legends of Reed
01:35 Meet the Experts: Dr. Matthew Winter and Dr. June Tan Sheren
05:25 Dr. June's Journey into Performing Arts Medicine
08:22 Common Health Issues Among Musicians
10:14 Beyond Overuse: Understanding Musicians' Injuries
16:36 The Impact of Hormonal Changes on Musicians
20:41 Drawing Parallels: Musicians and Athletes
26:16 Optimal Practice and Rest Strategies
30:18 The Importance of Mental and Physical Health
36:04 Debunking Stretching Myths
38:03 When Stretching is Beneficial
38:16 Strengthening Over Stretching
39:42 Simple Mobility Exercises
41:53 Seeking Professional Help Early
42:58 Choosing the Right Healthcare Professional
45:36 Rebounding from Injury
54:35 Mental Health and Recovery
58:42 Health Education in Music
01:03:59 Favorite Cello Pieces
01:07:48 Final Thoughts and Encouragement
In this episode of 'Legends of Reed,' Jo Anne Sukumaran interviews accomplished bassoonist Rie Koyama. Rie shares her early beginnings in music, influenced by her father, a bassoon player. She discusses her significant musical influences, the pressures of following in her father's footsteps, and her meticulous preparation strategies for major competitions. Rie also reflects on her experiences studying under Dag Jensen in Munich and her active roles in chamber music ensembles like the Veits Quintet and Franz Ensemble. She delves into her transition to the Bamberg Symphony Orchestra and the unique sound of the ensemble. Additionally, Rie talks about her approach to maintaining her powerful sound and everyday routines before concerts. She concludes by sharing her future projects and her admiration for working with renowned conductors and musicians. Tune in for an insightful conversation about Rie's vibrant musical journey and her dedication to the bassoon.
00:00 Introduction and Welcome
02:21 Early Beginnings with the Bassoon
03:37 Musical Influences and Inspirations
04:31 Handling Expectations and Pressure
06:12 Competition Preparation Strategies
07:44 Learning from Dag Jensen
09:46 Chamber Music with Veits Quintet
14:31 Franz Ensemble and Unique Projects
18:49 Joining the Bamberg Symphony Orchestra
23:43 Tips for Powerful Sound and Practice
27:12 Concert Day Routines and Rituals
33:45 Future Projects and Exciting Tours
36:51 Final Thoughts and Farewell
Find out more about Rie:
Artist photo (c) Marco Borggreve
Opening music credits:
Rie Koyama, bassoon Sinfonia Concertante Rodrigo Blumenstock, conductorGotthard Odermatt: Réminiscences, Op. 25b (excerpts)Basson concerto Premiere (Version with orchestra) Church: Kirche Unser Lieben Frauen, Bremen, Germany11. June 2019
Hosted by Jo Anne Sukumaran
https://www.joannesukumaran.com
Support the LOR podcast here:
A Deep Dive with Nicholas Daniel: From Oboe Beginnings to Musical Leadership
In this episode of Legends of Reed, host Jo Anne Sukumaran, has an engaging and heartfelt conversation with acclaimed oboist Nicholas Daniel. Nicholas shares his journey from his surprising introduction to the oboe, influenced by his grandmother, to achieving critical acclaim with his latest album “Schumann Works for Oboe and Piano.”
They delve into his practice routines, the importance of calm environments for recording, and his thoughts on working with producers like Jonathan Cooper and longtime collaborator Julius Drake. Nicholas recounts his experiences interacting with composers, shedding light on his approach to learning new concertos and the influence of contemporary thinkers like Molly Gabrien. The conversation also touches on broader themes such as teaching practices, the tradition of the British oboe school, his involvement with various musical organizations, and memorable encounters with Queen Elizabeth II. Nicholas's stories and insights reveal his passion for music, teaching, and the importance of maintaining a positive outlook in life.
Find out more about Nicholas:
Vote for the Schumann album (until end Feb 2025):
https://www.classical-music.com/awards/2025-awards/bbc-music-magazine-chamber-award-2025
00:00 Introduction and Greetings
02:47 Discussing the Latest Album
05:20 Journey into Music and the Oboe
10:47 Influential Teachers and Early Training
16:47 The British Oboe Tradition
19:17 Goossens's Oboe and Historical Instruments
27:35 Women in Music and Gender Equality
33:06 Impact of COVID-19 on Musicians
35:51 The Path to Becoming a Concert Oboe Soloist
43:00 Meditation and Mindfulness in Practice
48:30 Preparing for Performances and Learning New Music
01:03:17 Using Gymnastic Balls for Breathing Exercises
01:04:10 The Impact of Musculature on Breathing
01:06:00 The Partnership Between Body and Breath
01:06:44 The Emotional Connection to Musical Instruments
01:08:13 The Importance of Flexibility in Musicians
01:09:46 Hydration and Its Effects on Musicians
01:10:58 Favorite Composers and Their Influence
01:21:29 Collaborating with Composers
01:28:47 Balancing Leadership and Collaboration in Orchestras
01:36:06 Rapid Fire Questions
01:41:57 The Future of Classical Music
01:54:11 Meeting Queen Elizabeth II
In this episode of Legends of Reed, Fei Xie shares his unique journey as a bassoonist with host Jo Anne Sukumaran, from his early beginnings in China to becoming a principal bassoonist in the Minnesota Orchestra. He discusses the influence of his musical family, the challenges of adapting to a new culture, and the importance of mentorship in his development. Fei also offers insights into his teaching philosophy, the significance of diversity in the music profession, and how he navigated the challenges posed by the pandemic. The conversation concludes with a look at his upcoming projects and personal interests.Chapters00:00 Introduction and Background05:31 Musical Journey and Influences08:17 Cultural Transition and Mentorship10:23 Professional Aspirations and Achievements12:50 Favorite Repertoire and Performance Tips15:19 Teaching Philosophy and Student Development17:58 Challenges in the Music Profession20:37 Experiences with the Minnesota Orchestra23:07 Staying Positive During the Pandemic25:43 Personal Life and Hobbies28:24 Upcoming Projects and Final ThoughtsFind out more about Fei Xie:https://cla.umn.edu/about/directory/profile/xie00292Host: Jo Anne SukumaranSubscribe to "Legends of Reed" on Spotify: https://open.spotify.com/show/46fKYJX5g0Ak2entBcSZJU?si=8f67ef4dba98475bBeginning music credit (c) courtesy of Minnesota Orchestra,Fei Xie performs Mozart's Bassoon Concerto | Minnesota Orchestra | Osmo Vänskä
In this episode of Legends of Reed, host Jo Anne Sukumaran interviews French oboist Armand Djikoloum, who shares his journey from early musical beginnings to becoming a professional musician. He discusses the challenges of being an oboist, the importance of physical fitness through running, and the impact of social media on musicians. Armand emphasizes the need for self-care, mental resilience, and creating positive environments in music. He also reflects on the recording process and the significance of staying true to oneself in the competitive world of classical music.
French born oboist Armand Djikoloum enjoys a varied and highly successful career as both a soloist and chamber musician, featuring frequently as a guest with some of Europe’s finest orchestras and ensembles. Armand will be joining a star-studded group of YCAT artists in February 2025, as they celebrate YCAT’s 40 year anniversary, performing at venues such as BoulezSaal Berlin, Concertgebouw Amsterdam, Philharmonie Cologne, Tauberphilharmonie Weikersheim and Wigmore Hall.
Armand Djikoloum, is a multi prize winning soloist and chamber musician and, in 2022, was recognised as one of Classic FM’s Rising Stars.
Find out more about Armand here: https://www.ycat.co.uk/armand-djikoloum
Listen to the latest chamber music album "Zelenka: Trio Sonatas Zwv 181 & Ghosts" :https://open.spotify.com/album/0FlcdMG3wFLoFJkE0udTPF?si=5xFDJfG_Sl-UkpitZr2VMw
Photo credit (c) Kaupo Kikkas
IG: https://www.instagram.com/armandjikoloum/
Hosted by Jo Anne Sukumaran
https://www.joannesukumaran.com
IG: https://www.instagram.com/jewelair2.0/
Chapters
00:00 Introduction to Armand
03:08 Early Musical Beginnings
07:03 Recording Process and Collaboration
11:41 Running as a Complement to Music
16:26 Injury and Recovery in Music
24:20 Creating Positive Musical Environments
30:25 Challenges of the Oboe as a Solo Instrument
37:46 Social Media and the Musician's Image
42:01 Final Thoughts and Encouragement
Summary
In this conversation, José Javier Romero, a bassoonist and reed specialist, discusses his journey in music and his work with the Swiss Orchestra and Georg Rieger GmbH. He shares how he started playing the bassoon and the important lessons he learned from his mentors. José also talks about his favorite concert halls, the bassoon and reeds he plays on, and the common questions and problems people bring to him in his workshops. He emphasizes the importance of understanding the instrument and finding the right balance between the reed and the bassoon. In this conversation, José Javier Romero discusses his approach to reed making and shares insights on various aspects of the process. He provides tips for adjusting reeds to improve their performance in the low register and offers advice on finding the right balance between flexibility and stability. José emphasizes the importance of having an open mind and learning from others in order to grow as a musician. He also discusses his motivation to keep going and shares his upcoming projects and plans.
Takeaways:
· Understanding the instrument and finding the right balance between the reed and the bassoon is crucial for a musician.
· The choice of concert halls can greatly impact the performance experience.
· The process of making and selecting reeds is highly individual and requires experimentation and understanding of the instrument.
· Working with a mentor can provide valuable guidance and inspiration in a musician's career.
· Common questions and problems in reed making include finding the right material, achieving stability and flexibility, and improving articulation and intonation.
· The reed is a vital component of a musician's sound and can greatly impact the performance. Adjusting the tip of the reed can improve its performance in the low register
· Finding the right balance between flexibility and stability is crucial for a good reed
· Having an open mind and learning from others is essential for growth as a musician
· Finding motivation in the process and striving to be the best version of oneself is key
· José has upcoming projects with his orchestra and chamber music performances
To find out more about Javier, please visit:
https://www.instagram.com/kunfubassoon
Swiss Orchestra:
https://swissorchestra.ch/en/musicians
To sign up for the exclusive online reed-making webinar
With Javier:
https://forms.gle/RqGiupJpE8V3x9uc9
Host: Jo Anne Sukumaran
https://www.instagram.com/jewelair2.0/
Fredrik Ekdahl is leader of the Royal Stockholm Philharmonic Orchestra’s bassoon section and held the same position in the Swedish Radio Symphony Orchestra. He performs regularly with orchestras including London Symphony Orchestra, the Mahler Chamber Orchestra and Australian Chamber Orchestra.
He has appeared as soloist with the Royal Stockholm Philharmonic Orchestra, the Swedish Radio Symphony Orchestra and the Aarhus Symphony Orchestra. New works have also been composed especially for Ekdahl, such as Jesper Nordin’s bassoon concerto, Vicinities.
Fredrik Ekdahl is a dedicated chamber musician and regularly performs in festivals all over the world. He has collaborated with world-class musicians such as violinist Janine Jansen and clarinettist Martin Fröst. Ekdahl is a Professor at the Hochschule för Musik Trossingen in Germany.
Summary
Fredrik Ekdahl discusses his journey as a bassoonist, his experiences in orchestras, his love for chamber music, and his passion for contemporary music. He shares insights on his early musical inspirations, working with renowned conductors, being well prepared for performances. He enjoys playing in orchestras and chamber music ensembles, finding joy in the direct communication and collaboration with other musicians. He also shares his passion and approach to contemporary pieces, including performing and recording Jesper Nordin’s bassoon concerto “Vicinities”.
Fredrik also talks about his role as a bassoon professor in Trossingen and his hobbies outside of music. As a bassoon professor, Fredrik emphasizes the importance of a supportive and collaborative learning environment for his students.
Find out more about Fredrik’s bassoon studio here:
https://www.hfm-trossingen.de/hochschule/personen/detail/fredrik-ekdahl
Thank you to Tutti Fagotti GmbH for sponsoring this episode.
Use discount code “legendsofreed” to enjoy a 10% discount from today until 31.08.2024 for online purchase of bassoon accessories on their website: https://www.tutti-fagotti.com
hosted by Jo Anne Sukumaran
Chapters
00:00 The Beginning of a Musical Journey
08:24 Collaborating with Conductors
15:05 The Importance of Preparation
28:32 Teaching Bassoon and Fostering a Musical Community
31:54 Finding Balance and Looking Ahead
Opening credits:
Camille Saint-Saëns Bassoon Sonata, courtesy of artist I. Allegretto Moderato, bassoon - Fredrik Ekdahl piano - Stefan Lindgren Recorded in Grünewaldsalen/Stockholms Konserthus in December 2021 as a part of the film series Mankind and Music at Konserthuset Play. Film - David Tarrodi Sound engineer - Håkan Ekman
In 2019 Theo was appointed principal of the Frankfurt Radio Symphony Orchestra and he won 3rd Prize at the ARD Competition in Munich.
As a soloist Theo has appeared with the Munich Chamber, Dortmunder Philharmoniker, the Staatsphilharmonie Rheinland-Pfalz and Beethoven Orchester Bonn. Recent highlights include recitals at the Elbphilharmonie in Hamburg, Tonhalle Düsseldorf, Beethoven-Haus in Bonn, Prinzregententheater in Munich and the Heidelberger-Frühling Festival. An avid chamber musician he has taken part in the Schleswig-Holstein, Festspiele Mecklenburg-Vorpommern, Molyvos, Davos and ‘Spannungen’ Heimbach Festivals, collaborating with Lars Vogt, Christian Tetzlaff, Antje Weithaas, Vilde Frang, among many others.
He is a member of the prize-winning Monet Wind Quintet, whose first CD in collaboration with Sudwest Rundfunk will be released by AVI later this year.
In 2018 Theo was appointed principal of the German Radio Philharmonic Orchestra. He has appeared as guest principal with leading orchestras including the Deutsche Kammerphilharmonie Bremen, the WDR Sinfonieorchester and the Hessiche Rundfunk.
Born in Koblenz, Theo completed his Masters at the Hochschule fur Musik Munchen with Professor Dag Jensen. In 2018 he won a prestigious Deutsche Musikwettbewerb prize and in 2019 was selected for representation by Young Classical Artists Trust (YCAT).
Other awards include 1st Prize in the Munich Gasteig Competition (2014), Aeolus Wind Competition (2012), Crusell Competition in Finland (2011) and the Hummel Competition in Wurzburg (2011).
During his studies Theo has participated in masterclasses with Klaus Thunemann and Sergio Azzolini, and been the recipient of numerous scholarships including the Deutsche Stiftung Musikleben and Mozart Gesellschaft Dortmund awards. Since 2016 he has taken part in the Rhapsody in School project, founded by Lars Vogt, bringing classical music to children throughout Germany.
Show Notes:
Theo Plath, a bassoonist, shares his journey in music and his passion for playing the bassoon. He discusses how he started playing the instrument and his love for all types of music, including string repertoire. Plath also talks about his albums, including 'Lost Times' and 'Balkan Discoveries,' and the inspiration behind them. He shares his experiences working with renowned musicians and his approach to staying motivated and focused. Plath also provides insights into orchestra etiquette, his reed-making process, and his hobbies outside of music.
Chapters
00:00 Introduction and Background
03:12 Discovering the Bassoon
04:09 Exploring String Repertoire on the Bassoon
08:00 Transcribing and Playing Violin Repertoire
11:30 Staying Motivated and Focused in Music
31:14 Creating Vibrating Reeds for a Dark and Robust Sound
33:13 Sewing Clothes and Reed-Making: Similar Hobbies
34:10 Enjoying the Mountains and Bringing a Bassoon
Find out more about Theo Plath here:
IG: https://www.instagram.com/theoplathbassoon/
Host: Jo Anne Sukumaran,
https://www.joannesukumaran.com
IG: / jewelair2.0
Support the show - Buy me a Coffee here: https://buymeacoffee.com/jewelair
Beginning video courtesy Theo Plath:
Niccolò Paganini: Caprice Op.1 No.5 Transcription for bassoon solo Artist photo (c) Marco Borggreve
A passionate advocate for the bassoon, Amy Harman is much sought after as a soloist, chamber musician, teacher and communicator.
Amy was a professor at the Royal Academy of Music from 2013 to 2024 and gives masterclasses and coaches internationally. She was appointed professor of bassoon at the Robert Schumann Hochshule Düsseldorf in 2024, the first woman to hold such a position in Germany.
Aged 23 Amy was appointed solo bassoon of the Philharmonia Orchestra. Sought after as guest principal with leading orchestras in Europe including Paavo Järvi’s EFO and the Mahler Chamber Orchestra, she is currently principal of Aurora Orchestra. She was selected by YCAT in 2014.
Solo highlights include premiering Roxanna Panufnik’s concerto for bassoon & string orchestra with the Royal Northern Sinfonia, Strauss's Concertino with the English Chamber Orchestra, Mozart’s Concerto at the Festival Suoni dal Golfo in Lerici and appearing as a flying soloist at the world premiere of Stockhausen’s Mittwoch aus Licht. Amy was the first bassoonist to perform a live broadcast solo recital for BBC radio 3. She performs recitals regularly in UK and Germany with her collaborator Tom Poster.
Summary:
Amy Harman shares her journey to becoming a bassoonist, including her early musical inspirations and her transition from playing the cello to the bassoon. She discusses her experiences with the Aurora Orchestra and their memorized performances, as shares some practice tips for listeners.
Amy also talks about the importance of the Young Classical Artist Trust in shaping her career and the significance of being the first female bassoon professor in Germany, at the Robert Schumann Hochschule in Dusseldörf. In this conversation, Amy discusses the challenges facing the arts industry, particularly in the UK, and offers words of encouragement to young musicians. She emphasizes the importance of creating art and suggests pursuing a portfolio career, and shares her experience of balancing a busy career with being a mother of three. She also mentions upcoming projects she's excited about, including a performance of Elizabeth MacConkey's concertino and various chamber music festivals.
Chapters
00:00 Introduction and Amy's Musical Background
07:24 Memorized Performances with the Aurora Orchestra
24:38 The Power of a Portfolio Career
30:35 Finding Inspiration in Different Genres
38:42 The Art of Memorizing Music
************************************
Find out more about Amy here.
Amy's Instagram
Host: Jo Anne Sukumaran, find out more here.
Legends of Reed is sponsored by Barton Cane, enjoy free shipping with coupon code" legendsofreed", on their website.
Opening credits: Concert recording of Amy Harman with Castalian Quartet - Cantator and Amanda (2011), by Roxanna Panufnik - courtesy of Young Classical Artist's Trust.Photo credit: Kaupo Kikas
Benjamin Coelho, professor of bassoon, has been at the University of Iowa since 1998. He has appeared as a soloist, chamber musician, orchestral musician, teacher, and clinician in several countries including the United States, Brazil, Argentina, Bolivia, Panama, Portugal, France, Romania, Australia, Canada, and the Czech Republic.
An avid chamber musician, he has performed with the Gramado Woodwind Quintet (Brazil), the Alaria Chamber Ensemble (New York), and the Contemporary Music Group of Minas Gerais (Brazil). As a founding member of the Manhattan Wind Quintet, Mr. Coelho performed numerous recitals and concert tours throughout the United States. The group won various chamber music competitions including Artists International, Coleman, and Monterey Peninsula Chamber Music Competition.
An enthusiastic proponent of new music, Mr. Coelho has commissioned, performed, and recorded many works by European, American, and Latin American composers. His recordings include Bassoon Images from the Americas (2003), released by Albany Records; Bravura Bassoon (2005), Pas de Trois (2006) released by Crystal Records; and Explorations (2007), Dreaming in Colours (2011) and Agnus Dei (2012) all released by MSR Classics. The specialized media has continuously praised his recordings "...Ben has such a gorgeous sound, such impeccable technique, and such sensitive musicality, that it is a real pleasure to recommend this album very strongly to all of you!" (Ronald Klimko, IDRS Journal), "Coelho's program is an international affair that shows the range of colors and character that the bassoon can explore in tandem with string colleagues. His playing is unfailingly sonorous, expressive, and alert, and he champions the pieces on this recording as if he believed in them without reservation." (Donald Rosenberg, The Gramophone), "Coelho is fantastic. His sound is brilliant, resonant, and strong, and he has a warm tone that blends superbly with the strings." (Schwartz, American Record Guide). As a member of the group Wizards! A Double Reed Consort, Coelho has recorded two CDs released by Crystal and Boston Records in 2000 and 2003 respectively.
Mr. Coelho has written articles on bassoon performance and literature. His work has been published in the International Double Reed Society Journal, as well as the British Double Reed Society Journal. His article "Francisco Mignone and the Sixteen Waltzes for Solo Bassoon" has been translated into German, and published in the German double-reed magazine ROHRBLATT.
Before his position at the University of Iowa, Mr. Coelho was the vice dean and bassoon professor at the Federal University of Minas Gerais (Brazil). He also worked extensively as a performer in his native Brazil, including principal positions with symphony orchestras in Rio de Janeiro, Campinas, and Belo Horizonte.
In the United States, Mr. Coelho has played with the Waterloo/Cedar Falls Symphony (Iowa), The Camerata Chamber Orchestra (Indiana), The Bloomington Pops Orchestra (Indiana), The Bronx Opera Company (New York), and Orchestra Iowa. Currently, he performs as the principal bassoon with the Quad City Symphony Orchestra (Iowa/Illinois).
Ben attended Indiana University, Manhattan School of Music, S.U.N.Y. at Purchase, and the Tatuí Conservatory in his native Brazil. His major teachers include Clóvis Franco, Donald MacCourt, Arthur Weisberg, and Kim Walker.
Ben lives in Iowa City, IA, with his wife Karen and their wonderful daughters Liliana and Julia.
legendsofreed" to enjoy free shipping.
In this episode of Legends of Reed, oboist Celia Craig shares her journey of how she accidentally started playing the oboe and fell in love with it. She discusses her experiences as an orchestral player, touring the world and adapting to different cultural expectations. Celia also talks about her memorable concerts, including playing with Leonard Bernstein and the London Symphony Orchestra. She shares her experience of synesthesia, seeing music in colors, and how it enhances her musical performances. Celia explains why she chose to leave the orchestra and start her own recording label, Artaria, and the importance of diversity and mental health in the music industry. In this conversation, Celia discusses her experience with synesthesia and how it influences her music. She shares and describes the colors she sees when playing certain pieces. Celia also talks about her passion for photography and how it helps her relax away from music. She emphasizes the importance of innovation in the classical music industry and breaking barriers between audiences and performers. Celia discusses her efforts to create intimate concert experiences and showcase the skills of musicians in film recordings. She also highlights the need for arts bodies to support independent artists and provide career planning guidance for young musicians. To find out more about Celia, visit her website: https://www.celiacraig.com.au https://www.instagram.com/celiacraigonline/ Legends of Reed is sponsored by Barton Cane, use coupon code, "legendsofreed" for free shipping on https://www.bartoncane.com
Chapters
00:00 Introduction and Background
02:54 Discovering the Oboe
04:16 Career as an Orchestral Player
06:05 Cultural Differences in Orchestras
07:27 Memorable Concerts
08:24 Mentored by Leonard Bernstein
09:47 Leaving the Orchestra and Starting a Recording Label
13:07 Synesthesia and Music
18:43 Discovering Synesthesia
21:02 Promoting Diversity and Mental Health
23:00 The Importance of Music and Color in Modern Life
25:23 The Flow State and Synesthesia
26:18 Associating Colors with Music
26:45 Synesthesia and Mental Health
27:14 Perfect Pitch and Synesthesia
28:09 Challenges of Synesthesia
28:37 Synesthesia in Music
29:34 Describing Colors in Music
30:03 Synesthesia Experience with Elgar's Symphony
31:00 Unexpected Performance Experience
32:46 AI-Generated Art and Chamberworks
33:16 Unwinding and Relaxing with Photography
34:13 Innovating the Classical Music Industry
35:07 Intimate Concert Format
36:30 The Power of Live Music
37:28 Recognizing Performers in Film Music
38:24 Importance of Independent Art Scene
39:23 Supporting Independent Musicians
40:18 Teaching Career Planning and Entrepreneurship
42:06 Breaking Barriers and Unmasking Performers
43:03 Connecting Double Reed Players
43:58 Advice for Young Musicians
45:21 Playing in a Relaxed and Flow State
46:16 Practicing in the Dark
49:04 Upcoming Project: Researching Miriam Hyde
Michaela Špačková is a curious and creative artist who seamlessly integrates her passions for music, humanity and nature into her musical work, lifestyle and intercultural activities – from music education concerts to her development of permaculture gardening.
She regularly performs works dedicated to her for solo bassoon by contemporary composers, She began playing the bassoon at the age of 12 and made her debut five years later with the PKF Prague Philharmonia, following appearances with the ORF Vienna, Munich Chamber Orchestra and Czech Philharmonic, receiving more than 20 prizes at various competitions such as the ARD Music Competition and Prague Spring Competition, and performing worldwide in the most prestigious halls such as the Berlin Philharmonie, Philharmonie de Paris, Suntory Hall Tokyo, etc.
She was solo bassoonist in the Konzerthausorchester Berlin with Christoph Eschenbach and Academist with the Staatskapelle Berlin under Daniel Barenboim, played with conductors such as Sir S. Rattle, Z. Mehta, I. Fischer, W. Jurowski and others.
In this episode, we speak about her start on the bassoon, her experiences and insights on taking part and winning numerous competitions, some of her favorite contemporary composers, educational music concerts, her passion for permaculture gardening, how she overcome a challenging moment in her career and we are joined by a super-cute guest right at the end!
Legends of Reed is sponsored by Barton Cane. Use coupon code "legendsofreed" for free shipping.
Find out more about Michaela here: https://www.michaelaspackova.com
Since 2022, Sanja is artist of the French instrument maker Buffet Crampon Paris, playing oboe model „Légende”. With their support, she is bringing to life new Oboe Concerto composed by Nimrod Borenstein. World premiere will happen on March 8, 2024 with Beograde Philharmonic Orchestra, as part of 100 Years Anniversary celebration of the orchestra.
Highly active as soloist, she performed with Belgrade Philharmonic Orchestra, Al Bustan Festival Orchestra, Macedonia Philharmonic Orchestra, Salzburg Kammerphilharmone, Vojvodina Symphony Orchestra, Ensemble Metamorphosis, Zagreb Soloists, Slovene Army Band, Erdödy Chamber Orchestra from Hungary and traditional tamboura orchestra from Slovenia.
Sanja is associate professor for orchestral studies for woodwind instruments at the Academy of Arts in Novi Sad. Until 2024 she was solo oboist of the Belgrade Philharmonic Orchestra for 12 years.
In this episode, I interview the inspiring oboist, Sanja Romić. We speak about topics such as how she started playing the oboe, her collaboration with Buffet Crampon and the oboe model Légende, her upcoming premiere of a oboe concerto by Nimrod Borenstein, to commemorate the 100 year anniversary of her orchestra, her podcast on playing and living with ease, her future plans after leaving an orchestral career, and more.
Legends of Reed is sponsored by Barton Cane, for free shipping on any order, use coupon code "legendsofreed".
To find out about Sanja Romić
visit: https://sanjaromic.com
In this episode, I catch up with the inspiring and creative jazz bassoonist Michael Rabinowitz over his illustrious jazz career and we chat about topics such as his early days of studying at SUNY Purchase, how he amplifies the bassoon for the jazz stand, a life in jazz and improvisation, moving to NYC, making a living while balancing family life, his latest album "Next Chapter", and his recent activities.
Find out more about Michael here, and
listen/stream & purchase his album "New Chapter" on his website:
https://www.jazzbassoonist.com/
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After a long absence, LOR returns with the wonderful bassoonist, Lola Descours.
Lola is currently the principal bassoon in the Rotterdam Philharmonic Orchestra, under chief conductor, L. Shani.
In this episode, Lola speaks to me about topics such as her concert and touring with the Rotterdam Philharmonic, her tips for auditions and competitions, her inspiration behind her album "Bassoon Steppes" and the charming video series "Bassoon in the Wind" with filmmaker, Pierre Dugowson. And she also shares with me her definition of success.
A very inspiring interview and the musical extract is from the First Movement of the Rachmaninoff Cello Sonata in G Minor, Op. 19 from her album, with pianist Paloma Kouider. Her debut album was released in 2022 on Orchid Music and received critical acclaim in multiple countries.
Follow Lola on:
IG: @loladescours
https://orchid-music.lnk.to/loladescours
The Wire places Sara Schoenbeck in the "tiny club of bassoon pioneers" at work in contemporary music today, while the New York Times has called her performances "galvanizing" and "riveting.” She has performed with or been a member of Anthony Braxton’s 12+1(tet) and Tri-Centric Orchestra, Wayne Horvitz’s Gravitas Quartet, Harris Eisenstadt’s Golden State, Wavefield Ensemble, SEM Ensemble, Wet Ink, Marty Ehrlich’s Duende Winds, Nels Cline's Lovers, Adam Rudolph's Organic Orchestra, and the Michael Leonhart Orchestra. She has worked with many of creative music’s luminaries including Roscoe Mitchell, Henry Threadgill, Butch Morris, Yusef Lateef, Wadada Leo Smith, George Lewis, and Pamela Z.
She can be heard on music and film recordings including Matrix 2 and 3, Spanglish and Dahmer. She has performed at major venues throughout North America and Europe. A partial list includes Carnegie Hall, Lincoln Center Out of Doors, the Kitchen, Iridium, Disney Hall, Redcat, the Kennedy Center, the Free Music Festival in Antwerp Belgium, Biennale Musica in Venice Italy, the American Festival of Improvised Music, MicroFest, SXSW, New Orleans, Newport, Berlin, Victoriaville and Ottawa Jazz Festivals; the Vancouver International Jazz Festival, Angel City Jazz Festival in Los Angeles; San Francisco, Saalfelden and Tempere Jazz festivals.
Sara received her BFA from the San Francisco Conservatory of Music and MFA from the California Institute of the Arts. Sara has been adjunct faculty at California Institute of the Arts, Citrus College, and Pasadena Conservatory and has given master classes at Amherst College, Hampshire College, Cornish College, University of Denver, and Western Washington University. She is currently on faculty at Brooklyn Conservatory of Music and Packer Collegiate Institute.
In this episode, I speak to Sara about her musical journey, how her career developed and took off, and the inspiration behind her recent self-titled album release, she gives me some practical tips on how to become a better improviser and how to approach free improvisation, tips on creativity, her main musical influences, the challenges of working as a female musician, tips for young musicians and she fills me in on the jazz/music scene in New York, and which jazz clubs I should visit in New York.
Listen to her album here:
https://open.spotify.com/album/6SMnwqkm8odd2KXNaUqku9?si=3JzotXziSY6u_InOokxYfA
Find out more about Sara: https://www.saraschoenbeck.com
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French oboist Philippe Tondre has secured a place among the finest musicians of his generation. «Master of the oboe » (Bonner General Anzeiger), his music-making is packed with emotional sensitivity and stunning virtuosity.
Principal oboe of the Philadelphia Orchestra, the Chamber Orchestra of Europe, and the SWR Symphony Orchestra, Philippe Tondre is also a member of the Mito Chamber Orchestra, the newly-founded Kammer Ensemble Paris, and Principal Oboe of the Saito Kinen Orchestra Matsumoto. From 2014 until 2020 he was Solo Oboe of the Budapest Festival Orchestra and from 2016 until 2017 Solo Oboe of the Gewandhaus Orchestra in Leipzig.
He has worked with eminent conductors, amongst others Seiji Ozawa, Yannick Nezet-Séguin, Sir Simon Rattle, Gustavo Dudamel, Andris Nelsons, Ivan Fischer, Daniele Gatti, Teodor Currentzis, Franz Welser- Möst, Sir Roger Norrington, Fabio Luisi, Herbert Blomstedt, Esa-Pekka Salonen und Daniel Harding.
In November 2015 Philippe Tondre was nominated Professor for Oboe at the Hochschule für Musik Saar. He gives masterclasses in China, Taiwan, Japan, Spain, Switzerland, and Germany.
Philippe Tondre plays a Buffet Crampon « Légende » Oboe.
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In this episode, I speak to Philippe about his early musical journey, the key teachers and mentors that had a great influence on him, what studying with Maurice Bourguewas like; his tips for competitions and peak performance, why having active sports and exercise regime is important for wind players, how he toggles between playing in the US and Europe, his upcoming projects, recordings and concerts, the French school of oboe, and his personal tips for young musicians.
To find out more about him, visit: http://www.philippetondre.com
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I recently interviewed the fabulous bassoon soloist and conductor Peter Whelan.
Peter is not only a concerto soloist, he is in constant demand as a soloist and chamber musician. He has performed in many prestigious venues around the world, and he is also the founder and Artistic Director of Ensemble Marsyas, and the Artistic Director of the Irish Baroque Orchestra. He is also an Artistic Partner of the Irish National Opera.
We speak about many interesting and inspiring topics like his musical journey, how he found his voice in early and baroque music, his studies with Sergio Azzolini, how he got into conducting and directing, his work with the Ensemble Marsyas, how we can stay inspired when performing and interpreting overly-played repertoire, “the game” in interpreting early music, the importance of musicians in finding “a middle ground”, his upcoming projects and he speaks about his new disc, “Mozart’s Bassoon. Works for solo Bassoon”. He even teaches me some Irish slang.
Listen to his album here:
https://open.spotify.com/album/4FhwOW1szuLuPMhpAsWeK8?si=EogfQ_wpRvSQw1Y1DlWuGw
Find out more about him: https://www.peterwhelan.co.uk/about/
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Daniel Matsukawa has been the principal bassoon of The Philadelphia Orchestra since 2000. He studied at the Juilliard School and the Curtis Institute of Music. His teachers include Harold Goltzer, Alan Futterman, and Bernard Garfield.
Mr. Matsukawa made his solo concerto debut in Carnegie Hall at the age of 18 and was featured in a Young Artist’s Showcase on New York’s WQXR classical radio station. Since then he has appeared as a soloist with orchestras in the United States, Japan, and New Zealand.
Prior to his post with The Philadelphia Orchestra, Mr. Matsukawa served as principal bassoon with the National Symphony in Washington D.C., the Saint Louis Symphony, the Virginia Symphony Orchestra, and the Memphis Symphony. Mr. Matsukawa is a member of the faculties at both the Curtis Institute of Music and the Boyer College of Music at Temple University.
In 2019, Mr. Matsukawa has served as a member of the prestigious jury panel for the Tchaikovsky Competition in Saint Petersburg, Russia. Later that same year, he served as a member of the jury panel for the ARD Competition in Munich, Germany.
Find out more about him here: https://www.philorch.org/your-philorch/meet-your-orchestra/musicians/daniel-matsukawa/
I am joined by my friend, bassoonist Francisca Bastos who is a guest co-host on this episode.
BYOM Academy: https://www.beyourownmanager.com