Marina J. Bergenstock, HowlRound Theatre Commons, Nabra Nelson
53 episodes
1 month ago
Kunafa and Shay focuses on Middle Eastern and North African (MENA)/Southwest Asian and North African (SWANA) theatre—highlighting classic and contemporary plays and theatremakers, spotlighting community-engaged work in the region and diaspora, and analyzing the past, present, and future of MENA/SWANA theatre in the United States. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion.
The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences.
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Kunafa and Shay focuses on Middle Eastern and North African (MENA)/Southwest Asian and North African (SWANA) theatre—highlighting classic and contemporary plays and theatremakers, spotlighting community-engaged work in the region and diaspora, and analyzing the past, present, and future of MENA/SWANA theatre in the United States. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion.
The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences.
This episode analyzes narrative podcasts as a form of performance. Hosts Nabra Nelson and Marina Johnson and guest multi-hyphenate artist Laila Abdo utilize Laila’s latest project The Great Pyramid Scheme to discuss how comedy can be used as a powerful form of representation.
Kunafa and Shay
Kunafa and Shay focuses on Middle Eastern and North African (MENA)/Southwest Asian and North African (SWANA) theatre—highlighting classic and contemporary plays and theatremakers, spotlighting community-engaged work in the region and diaspora, and analyzing the past, present, and future of MENA/SWANA theatre in the United States. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion.
The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences.
